From aa60cb8ee3bf81c286ba97df82aced4baaf35a6b Mon Sep 17 00:00:00 2001 From: Aureo Bot Date: Mon, 9 Nov 2026 04:45:50 +0000 Subject: [PATCH 1/4] feat(catalog): import Free The Tone (44 products) Fast runner import via scripts/catalog-import/fast. Tier: n/a New entries: 44 Auto-selected images: 127/201 Classified by: claude-sonnet-5 Co-Authored-By: Claude Sonnet 5 (fast runner) --- .changeset/import-free-the-tone.md | 5 + data/accessories/free-the-tone-detail30.yaml | 31 ++ data/accessories/free-the-tone-detail32.yaml | 31 ++ data/accessories/free-the-tone-detail33.yaml | 33 ++ data/accessories/free-the-tone-detail38.yaml | 21 ++ data/accessories/free-the-tone-detail39.yaml | 17 ++ data/accessories/free-the-tone-detail40.yaml | 23 ++ data/accessories/free-the-tone-detail41.yaml | 27 ++ data/accessories/free-the-tone-detail42.yaml | 21 ++ data/accessories/free-the-tone-detail44.yaml | 37 +++ data/accessories/free-the-tone-detail51.yaml | 37 +++ data/accessories/free-the-tone-detail52.yaml | 36 +++ data/accessories/free-the-tone-detail59.yaml | 26 ++ data/accessories/free-the-tone-detail61.yaml | 19 ++ data/accessories/free-the-tone-detail75.yaml | 33 ++ data/accessories/free-the-tone-detail78.yaml | 31 ++ data/hardware/free-the-tone-detail10.yaml | 129 ++++++++ data/hardware/free-the-tone-detail11.yaml | 54 ++++ data/hardware/free-the-tone-detail15.yaml | 82 +++++ data/hardware/free-the-tone-detail16.yaml | 82 +++++ data/hardware/free-the-tone-detail17.yaml | 77 +++++ data/hardware/free-the-tone-detail18.yaml | 102 +++++++ data/hardware/free-the-tone-detail19.yaml | 124 ++++++++ data/hardware/free-the-tone-detail20.yaml | 120 ++++++++ data/hardware/free-the-tone-detail4.yaml | 191 ++++++++++++ data/hardware/free-the-tone-detail43.yaml | 144 +++++++++ data/hardware/free-the-tone-detail50.yaml | 91 ++++++ data/hardware/free-the-tone-detail53.yaml | 306 +++++++++++++++++++ data/hardware/free-the-tone-detail56.yaml | 67 ++++ data/hardware/free-the-tone-detail57.yaml | 78 +++++ data/hardware/free-the-tone-detail58.yaml | 71 +++++ data/hardware/free-the-tone-detail60.yaml | 124 ++++++++ data/hardware/free-the-tone-detail62.yaml | 104 +++++++ data/hardware/free-the-tone-detail63.yaml | 72 +++++ data/hardware/free-the-tone-detail64.yaml | 74 +++++ data/hardware/free-the-tone-detail65.yaml | 69 +++++ data/hardware/free-the-tone-detail66.yaml | 88 ++++++ data/hardware/free-the-tone-detail67.yaml | 122 ++++++++ data/hardware/free-the-tone-detail69.yaml | 67 ++++ data/hardware/free-the-tone-detail70.yaml | 71 +++++ data/hardware/free-the-tone-detail72.yaml | 77 +++++ data/hardware/free-the-tone-detail73.yaml | 77 +++++ data/hardware/free-the-tone-detail74.yaml | 86 ++++++ data/hardware/free-the-tone-detail77.yaml | 86 ++++++ data/hardware/free-the-tone-detail9.yaml | 111 +++++++ 45 files changed, 3374 insertions(+) create mode 100644 .changeset/import-free-the-tone.md create mode 100644 data/accessories/free-the-tone-detail30.yaml create mode 100644 data/accessories/free-the-tone-detail32.yaml create mode 100644 data/accessories/free-the-tone-detail33.yaml create mode 100644 data/accessories/free-the-tone-detail38.yaml create mode 100644 data/accessories/free-the-tone-detail39.yaml create mode 100644 data/accessories/free-the-tone-detail40.yaml create mode 100644 data/accessories/free-the-tone-detail41.yaml create mode 100644 data/accessories/free-the-tone-detail42.yaml create mode 100644 data/accessories/free-the-tone-detail44.yaml create mode 100644 data/accessories/free-the-tone-detail51.yaml create mode 100644 data/accessories/free-the-tone-detail52.yaml create mode 100644 data/accessories/free-the-tone-detail59.yaml create mode 100644 data/accessories/free-the-tone-detail61.yaml create mode 100644 data/accessories/free-the-tone-detail75.yaml create mode 100644 data/accessories/free-the-tone-detail78.yaml create mode 100644 data/hardware/free-the-tone-detail10.yaml create mode 100644 data/hardware/free-the-tone-detail11.yaml create mode 100644 data/hardware/free-the-tone-detail15.yaml create mode 100644 data/hardware/free-the-tone-detail16.yaml create mode 100644 data/hardware/free-the-tone-detail17.yaml create mode 100644 data/hardware/free-the-tone-detail18.yaml create mode 100644 data/hardware/free-the-tone-detail19.yaml create mode 100644 data/hardware/free-the-tone-detail20.yaml create mode 100644 data/hardware/free-the-tone-detail4.yaml create mode 100644 data/hardware/free-the-tone-detail43.yaml create mode 100644 data/hardware/free-the-tone-detail50.yaml create mode 100644 data/hardware/free-the-tone-detail53.yaml create mode 100644 data/hardware/free-the-tone-detail56.yaml create mode 100644 data/hardware/free-the-tone-detail57.yaml create mode 100644 data/hardware/free-the-tone-detail58.yaml create mode 100644 data/hardware/free-the-tone-detail60.yaml create mode 100644 data/hardware/free-the-tone-detail62.yaml create mode 100644 data/hardware/free-the-tone-detail63.yaml create mode 100644 data/hardware/free-the-tone-detail64.yaml create mode 100644 data/hardware/free-the-tone-detail65.yaml create mode 100644 data/hardware/free-the-tone-detail66.yaml create mode 100644 data/hardware/free-the-tone-detail67.yaml create mode 100644 data/hardware/free-the-tone-detail69.yaml create mode 100644 data/hardware/free-the-tone-detail70.yaml create mode 100644 data/hardware/free-the-tone-detail72.yaml create mode 100644 data/hardware/free-the-tone-detail73.yaml create mode 100644 data/hardware/free-the-tone-detail74.yaml create mode 100644 data/hardware/free-the-tone-detail77.yaml create mode 100644 data/hardware/free-the-tone-detail9.yaml diff --git a/.changeset/import-free-the-tone.md b/.changeset/import-free-the-tone.md new file mode 100644 index 000000000..0fab028a4 --- /dev/null +++ b/.changeset/import-free-the-tone.md @@ -0,0 +1,5 @@ +--- +"catalog": minor +--- + +Import Free The Tone (44 hardware/software entries). diff --git a/data/accessories/free-the-tone-detail30.yaml b/data/accessories/free-the-tone-detail30.yaml new file mode 100644 index 000000000..1e6561506 --- /dev/null +++ b/data/accessories/free-the-tone-detail30.yaml @@ -0,0 +1,31 @@ +id: B3ue1MmnkyO7hqXRz3W0L +name: CU-5050 +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail30/ +prices: + - amount: 3600 + currency: JPY +description: An instrument link cable built around an uncommon 5 mm diameter for + connecting effects units together, with the soldered section protected against + the load that cable tension places on it. +details: |- + FREE THE TONE succeeded in development of a cable with an uncommon 5 mm diameter. To establish both the sound quality necessary to connect effects units together and good usability, all of the maker's accumulated know-how was applied. A cable that is too thick is difficult to use for connection between two effects units, and the cable's own tension can apply force to the soldered portion and lead to breakage. The CU-5050 Link Cable is durable and long life due to various inventions implemented to reduce the load on the soldered section. + + This is a warm sounding cable for instrument use with clarity that transmits the nuances of the vibration of the strings. The basic concept in developing it was a sound that makes you want to keep on playing, as close to the raw sound of the guitar or bass as possible. All of the characteristics of the instrument are maintained, while harsh electrical noise picked up by the pickups is eliminated. + + The plug used in the CU-5050 has unique wave shape grooves in its body to provide proper hold for plugging and unplugging. The inside of the plug also has a special shape unique to the FREE THE TONE product. The tip (hot) inside the plug has a tongue shape connection terminal, and a large ground contact area is provided for connecting the core and ground wires, so sound quality and intensity are improved compared with other plugs. The sleeve to which the shield is connected has a blade that clamps the cable firmly and reduces the possibility of breakage. + + Since effects units have many different jack placements and orientations, four plug configurations are available to handle various cases: Straight/Straight (S/S), Straight/L-angle (S/L), L-angle/L-angle (L/L) and a crank type L-angle/L-angle (CRANK). Each configuration is sold in 15 cm, 20 cm, 30 cm, 50 cm, 75 cm and 100 cm lengths. +specs: |- + - Conductor size: 0.25 mm2 + - Construction: 50/0.08A OFC (No/mm) + - Insulation thickness: 0.93 mm (plus or minus 0.05) + - Inner jacket thickness: 0.25 mm + - Shield diameter: 3.50 mm + - Jacket thickness: 0.75 mm (plus or minus 0.10) + - Diameter: 5.00 mm + - Maximum conductor resistance (20 degrees C): 100 ohm/km or less + - Capacitance (1 kHz): approx. 80 pF/m + - Plug types: Straight/Straight (S/S), Straight/L-angle (S/L), L-angle/L-angle (L/L), crank type L-angle/L-angle (CRANK) + - Lengths: 15 cm, 20 cm, 30 cm, 50 cm, 75 cm, 100 cm diff --git a/data/accessories/free-the-tone-detail32.yaml b/data/accessories/free-the-tone-detail32.yaml new file mode 100644 index 000000000..5b6fbbf94 --- /dev/null +++ b/data/accessories/free-the-tone-detail32.yaml @@ -0,0 +1,31 @@ +id: GL8jdbD4g9p4QTL2BE104 +name: CS-8037 +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail32/ +prices: + - amount: 8000 + currency: JPY +description: A speaker cable designed exclusively for musical instruments, built + to convey the character of a guitar or bass amplifier completely to the + speaker. +details: |- + A speaker cable transmits electrical signals from the guitar or bass amplifier to the speaker after tone adjustment and amplification. It is an important component since it is used for the final output of sound and it influences the entire performance of the sound system. The CS-8037 is a speaker cable designed exclusively for musical instruments that can convey the character of a guitar or bass amplifier completely to the speaker and bring the sound system one step higher. + + It was developed to allow an amp head or power amplifier to drive speakers at full power. The OFC conductor is adopted to realize high-resolution clear sound, and the wires are twisted in order to stabilize HF performance and provide tonal character that matches guitar and bass sound well. Ample current capacity can improve the performance of the amplifier and the speaker. + + The cable measures 8.00 mm in diameter over a 2.00 mm2 conductor, with a maximum conductor resistance of 9.40 ohm/km. The unique wave shape groove cut in the plug aids with smooth plugging and unplugging. + + Three plug configurations are sold in parallel: Phone/Phone (PH/PH), Phone/SpeakON (PH/SP) and SpeakON/SpeakON (SP/SP). Each configuration is available in 0.7 m, 1 m and 1.5 m lengths. +specs: |- + - Conductor size: 2.00 mm2 + - Construction: 2x 37/0.26A OFC (No/mm), dia 1.80 mm + - Insulation thickness: 0.60 mm (plus or minus 0.05) + - Shield diameter: 3.00 mm + - Jacket thickness: 1.00 mm (plus or minus 0.10) + - Diameter: 8.00 mm + - Maximum conductor resistance (20 degrees C): 9.40 ohm/km or less + - Capacitance (1 kHz): approx. 147 pF/m + - Plug types: Phone/Phone (PH/PH), Phone/SpeakON (PH/SP), SpeakON/SpeakON (SP/SP) + - Plug orientation: Straight/Straight (S/S) + - Lengths: 0.7 m, 1 m, 1.5 m diff --git a/data/accessories/free-the-tone-detail33.yaml b/data/accessories/free-the-tone-detail33.yaml new file mode 100644 index 000000000..128bac3cb --- /dev/null +++ b/data/accessories/free-the-tone-detail33.yaml @@ -0,0 +1,33 @@ +id: RurAisQv_exiqD0mCJmus +name: CB-6560 +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail33/ +prices: + - amount: 7600 + currency: JPY +description: The CB-6560 series of microphone and line cables is built to + express the beautiful sound of music, accepting everything from very low + microphone signals to the line level signals of mixers and other devices. +details: |- + As a pioneer and innovator in the building of sound systems in Japan, FREE THE TONE has always sought out unique solutions to a wide variety of requests from artists and engineers at the forefront of music creation in recording sessions and live performances. Finding an ideal solution means comprehending the true nature of the request and then considering the right conditions to make it possible. The CB-6560 microphone and line cable is the result of that approach. + + The essential quality for a microphone and line cable is stated simply on the product page as expressing the beautiful sound of music. The prerequisites include the wide-range characteristics required for conveying various spectra from various musical instruments, neutral and natural sound that can accurately represent an instrument's inherent tone, spacial reproduction capability to convey the depth of the sound image, rejection of noise that can tarnish a beautiful sound, and an extremely high signal-to-noise ratio. + + OFC (oxygen-free copper) is used for both conductor and shield, and a high-density braided shield of more than 94 percent coverage provides the spacial reproduction capability and high signal-to-noise ratio the design aims at. The cable accepts a wide range of signal levels, from very low microphone signals through to the line level signals of mixers and other devices. + + The cable measures 6.50 mm in diameter over a 0.3 mm2 conductor, with a maximum conductor resistance of 60 ohm/km and capacitance of approximately 160 pF/m. Seven plug configurations are sold in parallel, covering XLR female and male, stereo phone, angled stereo phone, a stereo phone socket and mono phone terminations, each in 1.0 m, 2.0 m, 3.0 m and 5.0 m lengths. +specs: |- + - Conductor size: 0.3 mm2 + - Construction: 60/0.08A OFC (No/mm) + - Insulation thickness: 2.00 mm (plus or minus 0.05) + - Inner jacket thickness: 0.65 mm + - Shield diameter: 4.60 mm + - Jacket thickness: 0.3 mm (plus or minus 0.10) + - Diameter: 6.50 mm + - Maximum conductor resistance (20 degrees C): 60 ohm/km or less + - Capacitance (1 kHz): approx. 160 pF/m + - OFC (oxygen-free copper) conductor and shield + - High-density braided shield, more than 94 percent coverage + - Plug types: CF/3PH (XLR female to stereo phone), CM/3PH (XLR male to stereo phone), 3PH/3PH (stereo phone to stereo phone), 3PL/3PH (angled stereo phone to stereo phone), 3S/3PH (stereo phone socket to stereo phone), PH/PH (mono phone to mono phone), CF/CM (XLR female to XLR male) + - Lengths: 1.0 m, 2.0 m, 3.0 m, 5.0 m diff --git a/data/accessories/free-the-tone-detail38.yaml b/data/accessories/free-the-tone-detail38.yaml new file mode 100644 index 000000000..847f03161 --- /dev/null +++ b/data/accessories/free-the-tone-detail38.yaml @@ -0,0 +1,21 @@ +id: m5F2HVGx8RIqMq6U9d2Ky +name: CP-416DC +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail38/ +description: A shielded instrument DC cable for feeding power from a pedalboard + supply to an effects unit, built to block external noise and keep power + transmission loss to a minimum. +details: |- + In addition to a shielded cable as an audio signal line for connecting a guitar or an effects unit, a DC cable for supplying the power line from a power supply to an effects unit is also an important part that can influence the sound. + + With the CP-416DC instrument DC cable, external noise is blocked and power transmission loss is decreased to the utmost. The system can feed electric power to effects units without stress, which improves sound quality and allows the effects units to function at their maximum ability. + + The cable is the maker's shielded CU-416, which is less subject to external noise, and its very low resistance keeps power transmission loss from the supply down. It has the flexibility necessary for wiring within a pedalboard and is terminated with high strength molded plugs. Two plug orientations are sold, S/L (straight to L-angle) and L/L, each in 15 cm, 20 cm, 30 cm, 50 cm and 75 cm lengths. +specs: |- + - Shielded type cable (CU-416), less subject to external noise + - Lower power transmission loss from the power supply due to very low cable resistance + - Flexibility necessary for wiring within the pedalboard + - High strength molded plug + - Plug types: S/L (straight to L-angle), L/L + - Lengths: 15 cm, 20 cm, 30 cm, 50 cm, 75 cm diff --git a/data/accessories/free-the-tone-detail39.yaml b/data/accessories/free-the-tone-detail39.yaml new file mode 100644 index 000000000..45d1fff20 --- /dev/null +++ b/data/accessories/free-the-tone-detail39.yaml @@ -0,0 +1,17 @@ +id: GOvO8r_suMHbhQsyZYRQW +name: CP-M35CV +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail39/ +description: A short DC conversion cable that lets an effects unit powered + through a 3.5 mm mini-plug run from a standard 5.5 by 2.1 mm centre-minus + adapter or power supply. +details: |- + Regarding the polarity of the DC jack commonly used in an effects unit's power supply, in almost all cases the inner centre pin is minus and the outer sleeve is plus, with a 2.1 mm centre pin diameter. Commercially available AC adapters and power supply units therefore mainly support that specification. But some effects units use mini-plugs, inverted centre-plus polarity, or a 2.5 mm centre pin in the DC jack, and a DC conversion cable has to be used to connect such a unit to a common adapter or power supply. + + The CP-M35CV is the conversion cable for an effects unit that uses a 3.5 mm mini-plug to receive electric power. One end is a 5.5 by 2.1 mm barrel connector (female) that accepts the output plug of a standard supply, and the other end is a 3.5 mm mini-plug. By connecting it to a DC plug with centre minus polarity, the mini-plug's tip is changed to the plus side. + + Two polarity-inverting siblings are sold alongside it for units that expect centre-plus power, one terminating in a 5.5 by 2.5 mm barrel connector and one in a 5.5 by 2.1 mm barrel connector. Each of the three is a short, finished cable intended to sit between a pedalboard supply and one pedal. +specs: |- + - Plug size: 5.5 by 2.1 mm barrel connector (female) to 3.5 mm mini-plug + - By connecting to a DC plug with centre minus polarity, the mini-plug's tip is changed to the plus side diff --git a/data/accessories/free-the-tone-detail40.yaml b/data/accessories/free-the-tone-detail40.yaml new file mode 100644 index 000000000..6c194d960 --- /dev/null +++ b/data/accessories/free-the-tone-detail40.yaml @@ -0,0 +1,23 @@ +id: xHq3GRPk_6ZTnBfVZjA08 +name: CP-ML4 +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail40/ +description: A 4-way DC power splitter cable that feeds 9 VDC from one AC + adapter to four effects units, split close to the power source so the shared + current path stays very short. +details: |- + A power splitter cable that supplies 9 VDC from one AC adapter is a useful product for reducing space on a pedalboard, because one cable can feed power to multiple effects units. Usual daisy-chain type splitter cables, however, have a long common section in which the current for every pedal runs, and that is one of the causes of noise and reduced voltage. + + The Free The Tone 4-way DC power splitter cables are split at a point close to the power source, so this common section is very short and the effects units are powered under ideal conditions. + + The CP-ML4 takes its power at a single L-shape male 5.5 by 2.1 mm barrel connector and fans out to four L-shape male barrel connectors of the same size, two on 50 cm tails and two on 75 cm tails. A connection diagram is published as a PDF on the product page. +specs: |- + - Input end: 1 x barrel connector (5.5 by 2.1 mm, L-shape male) + - Output end: 4 x barrel connector (5.5 by 2.1 mm, L-shape male) + - Output cable lengths: 2 x 50 cm, 2 x 75 cm + - Supplies 9 VDC from a single AC adapter to four effects units +links: + - url: https://www.freethetone.com/upload/en/file/manual/accessories/cpml4fs4/fig.pdf + type: resource + title: Connection Diagram diff --git a/data/accessories/free-the-tone-detail41.yaml b/data/accessories/free-the-tone-detail41.yaml new file mode 100644 index 000000000..ae07a8f93 --- /dev/null +++ b/data/accessories/free-the-tone-detail41.yaml @@ -0,0 +1,27 @@ +id: dQgBuucI1xGrUCZQ_1tD7 +name: CM-3510 +manufacturer: free-the-tone +primaryCategory: cable +categories: + - midi +url: https://www.freethetone.com/en/products/detail41/ +prices: + - amount: 2400 + currency: JPY +description: A MIDI cable terminated with original FREE THE TONE design + miniature L-plugs that allow 360-degree access, so MIDI pedals take up far + less pedalboard space. +details: |- + When assembling pedalboards for customers, FREE THE TONE found the MIDI cable to be one component that could be better. Conventional MIDI cables take up a lot of pedalboard space because they are terminated with large plugs, and most available plugs are the straight type, so good pedalboard layouts had to be worked around the fact that the plug angle cannot be adjusted. + + After two years of development the CM-3510 was completed with an unprecedented construction. A free-angle cap structure allows 360 degree access at all angles, and with miniature L-plugs the cable drastically reduces the space needed on pedalboards containing MIDI pedals and simplifies complicated layouts. + + The cable itself is a two-core shielded type that blocks external noise and provides a stable MIDI signal. To set the angle, the cap is pried off the connector, the cable is bent in the direction wanted and the cap is replaced. Changing the direction of the cable while the cap is still on may disconnect the cable, so the cap should be removed first. + + Four lengths are sold, 30 cm, 50 cm, 80 cm and 100 cm. +specs: |- + - Original FREE THE TONE design L-plug allows 360-degree access + - Two-core shielded cable blocks external noise and provides a stable MIDI signal + - Reduced plug size takes up less pedalboard space + - Free-angle cap structure, remove the cap before changing the cable direction + - Lengths: 30 cm, 50 cm, 80 cm, 100 cm diff --git a/data/accessories/free-the-tone-detail42.yaml b/data/accessories/free-the-tone-detail42.yaml new file mode 100644 index 000000000..1bcdca7f5 --- /dev/null +++ b/data/accessories/free-the-tone-detail42.yaml @@ -0,0 +1,21 @@ +id: dtOx39E858B6kF49DpmBT +name: VT-1H +manufacturer: free-the-tone +primaryCategory: other +url: https://www.freethetone.com/en/products/detail42/ +description: A 25.4 mm wide hook-face fastener tape, custom ordered from Velcro + and the same fastener FREE THE TONE uses to secure effects units on the + pedalboards it builds for professional musicians. +details: |- + FREE THE TONE builds custom pedalboards for many professional musicians and always uses the best fasteners available to secure effects units to the board. The fasteners sold here are the company's own, custom ordered from Velcro after testing many of that brand's products, and they are the ones actually used on those professional pedalboards. + + The VT-1H carries the hook face and the VT-1L carries the loop face. Both are 25.4 mm wide, and both faces are highly durable and can be used repeatedly. + + The page carries several application cautions. After application, use in an extremely high temperature or high humidity environment should be avoided. Under a continuous load the adhesive tape may distort and peel off even at normal temperature, and adhesion depends on the material of the surface the tape is applied to. Before applying the tape to an effects unit or a board, all dust and contamination should be cleaned off the surface. + + Velcro is a registered trademark of Velcro USA Inc. +specs: |- + - Size (width): 25.4 mm (common to VT-1H and VT-1L) + - Hook face (VT-1H) and loop face (VT-1L) sold separately + - Custom ordered from Velcro, the same fastener used on FREE THE TONE professional pedalboards + - Loop and hook faces are highly durable and can be used repeatedly diff --git a/data/accessories/free-the-tone-detail44.yaml b/data/accessories/free-the-tone-detail44.yaml new file mode 100644 index 000000000..a8081d5f9 --- /dev/null +++ b/data/accessories/free-the-tone-detail44.yaml @@ -0,0 +1,37 @@ +id: IIitpzifIEJKJS7WnuAzO +name: CUI-6550STD +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail44/ +prices: + - amount: 7500 + currency: JPY +description: An instrument cable from Free The Tone's Integrated Series, derived + from the CU-6550 with revised structural members and a different sound tuning + for a punchier, lower-weighted tonal balance. +details: |- + The Integrated Series was started as Free The Tone's 15th anniversary project, and the third release in it is the CUI-6550 instrument cable. It was productized by changing the structural members of the company's existing CU-6550 instrument cable and giving it a different sound tuning. + + The CU-6550 was built around the idea of a sound you do not want to stop playing, soft and natural in character. The CUI-6550 inherits that basic character but shifts its tonal balance lower, to suit the modern music scene and to give a more punchy sound that is not easily masked by other instruments. The tuning was checked at recording studios and concert venues. + + The conductor keeps the same number of core wires as the CU-6550, with the diameter of each wire increased for the punchier sound, and a special double structure is applied to the insulator so that an instrument's harmonic overtones and depth of sound come through. + + Two plug lengths are offered. The standard plug is the all-purpose type, and the long type suits a jack set in a deep or long recess such as on a Stratocaster. Free The Tone's wave pattern is cut into the plug surface for grip when inserting and removing the plug. + + Inside the plug, the tip section on the signal hot side uses a tongue-shaped contact, which gives a wider contact area for the core wires than a conventional contact with a hole and improves both sound quality and physical strength. On the sleeve side, where the shield is connected, pins clamp the cable firmly to reduce the chance of a wire break. +specs: |- + - Plug types: Straight/Straight (S/S) and Straight/L-angle (S/L) + - Lengths: 2 m, 3 m, 4 m, 5 m + - Standard-length plug, the all-purpose type of the two offered + - Conductor size: 0.5 mm2 + - Construction: 50/0.12A OFC (No/mm) + - Insulation thickness: 1.55 mm (+/- 0.05) + - Inner jacket thickness: 0.25 mm + - Shield diameter: 5.00 mm + - Jacket thickness: 0.75 mm (+/- 0.10) + - Overall diameter: 6.50 mm (+/- 0.20) + - Maximum conductor resistance at 20 C: 32.6 Ohm/km or less + - Capacitance at 1 kHz: approx. 80 pF/m + - Double-structure insulator + - Tongue-shaped tip contact and sleeve-side clamping pins + - Wave pattern cut into the plug surface for grip diff --git a/data/accessories/free-the-tone-detail51.yaml b/data/accessories/free-the-tone-detail51.yaml new file mode 100644 index 000000000..58251151f --- /dev/null +++ b/data/accessories/free-the-tone-detail51.yaml @@ -0,0 +1,37 @@ +id: CeYzEeYsRoFHQWxL-hrP7 +name: SL-4 Series +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail51/ +prices: + - amount: 2200 + currency: JPY +description: Solderless plug for the 4 mm CU-416 Instrument Link Cable, part of + Free The Tone's 2019 renewal of its solderless cable series. The plug's tip + and core wire connection pin are integrated for more direct signal + transduction, and the cap is replaceable in six colours. +details: |- + Free The Tone devised its ultra miniature solderless plugs, the SL-8 Series, in 2012. Solderless cables can be handcrafted without soldering, so they came into wide use, and after almost seven years of accumulated know-how the maker decided it was time to reconsider the design to meet newly emerging needs. In 2019 the solderless series was reborn as the SL-4 and SL-5 plugs. + + The SL-4 is the plug for the 4 mm CU-416 Instrument Link Cable, and the SL-5 is the matching plug for the 5 mm CU-5050 cable. Each is offered as a straight plug, an L-angle plug or a mixed pair, in a nickel-plated version and a gold-plated Pro Series version, sold in packs of two and in ten-plug kits that include three metres of cable. + + Four changes came with the renewal. The plug's tip and the core wire connection pin are integrated for more direct signal transduction. The gold plated Pro Series now shares the structure of the nickel plated type, which makes assembly easier. Two plug bodies cover the two cable diameters. And the cap of the S straight plug is now replaceable like the cap of the L angle plug, with six cap colours available through the SLC-4A and SLC-5A replacement sets, so input and output sides or separate signal loops can be colour coded. + + The CU-416 cable the SL-4 is built for excels in sound quality, flexibility, durability and workability, and carries DC power as well as audio. At just 4 mm diameter it is the thinnest and most flexible cable in the lineup, which suits interconnection inside a compact pedalboard or a rack system, and it has a natural sound that works as an all-purpose link between effects units or a switcher. + + The maker warns that overtightening the plug screws may bring them into contact with the core wire of the cable and cause a short circuit. +specs: |- + - SL-4 solderless plug for CU-416 Instrument Link Cable (ring with white logo) + - Available as straight (SL-4S) or L-angle (SL-4L), nickel plated or gold plated Pro Series + - Replacement caps SLC-4AS (straight) and SLC-4AL (angle), six colours: red, purple, blue, green, gunmetal, navy + - CU-416 cable conductor size: 0.18mm sq, construction 16/0.12 OFC (No/mm) + - CU-416 cable insulation thickness: 0.98mm (+/- 0.05mm), inner jacket 0.25mm, jacket 0.50mm (+/- 0.05mm) + - CU-416 cable shield diameter: 3.50mm, overall diameter 4.00mm + - CU-416 maximum conductor resistance (20 C): 100 or less (ohm/km) + - CU-416 capacitance (1kHz): approx. 160 (pF/m) + - Design Patent Registration: DES. PAT. JP. 1645384 +releaseDate: "2019" +videos: + - provider: youtube + videoId: xgacyIlLsh0 + title: DEMO diff --git a/data/accessories/free-the-tone-detail52.yaml b/data/accessories/free-the-tone-detail52.yaml new file mode 100644 index 000000000..8abe8ee8a --- /dev/null +++ b/data/accessories/free-the-tone-detail52.yaml @@ -0,0 +1,36 @@ +id: IdA-CrkyWMJF58OqpqP12 +name: SL-F Series +manufacturer: free-the-tone +primaryCategory: cable +url: https://www.freethetone.com/en/products/detail52/ +prices: + - amount: 2000 + currency: JPY +description: Solderless plug that lets a custom shielded cable be built from any + single-core shielded cable of 5 to 7 mm diameter without soldering, using + separate contact points for the core wire and the shield. Offered as a + standard-length cap for guitar and bass cables and a short cap for pedalboard + link cables. +details: |- + Free The Tone released its ultra miniature solderless plugs, the SL-8 Series, in 2012, and they were widely accepted because they allowed cable making without soldering. The SL-8 plugs required the maker's dedicated CU-416 cable, so while building pedalboards and rack systems for customers a project began to commercialise a solderless plug that could take general shielded cable, including the maker's own CUI-6550 and CU-5050. + + A wide variety of structures was examined to cover shielded cables of differing diameter and construction. The idea that produced the SL-F Series was a structure with individual contact points for the core wire and for the shield, and the plug reached completion after many prototypes. The plug structure is patent pending. + + With an SL-F plug a custom shielded cable can be made from any single core wire shielded cable of 5 to 7 mm diameter with multiple strands, without soldering. A new cable can be built with the optional CUI-6550 or CU-5050, and a cable that has broken at its plug or lost contact at a soldered joint can be revived the same way. + + The contact that meets the braid shield has a gentle arc so it slides between the braid and the jacket, and an opening in the body lets the contact point be confirmed by eye as it is pressed into the core wire. A screw secures the cable so it cannot pull out, and plastic spacers are supplied so the plug takes cables of differing diameter, including the 5 mm CU-5050. + + Two cap lengths cover the two uses. SL-F-SHRT has a 24 mm cap and is recommended for link cables inside a board, and SL-F-STD has a 33 mm cap and is recommended for guitar and bass cables. Each comes as a straight or an L-angle plug. +specs: |- + - Fits any single core wire shielded cable of 5 to 7 mm diameter with multiple strands + - Separate contact points for core wire and braid shield, no soldering required + - SL-F-SHRT cap length 24 mm, recommended for link cables + - SL-F-STD cap length 33 mm, recommended for guitar and bass cables + - Supplied with cap, plug, plastic spacer and screw; fit the spacer for a 5 mm cable such as CU-5050 + - Optional CUI-6550 cable: conductor size 0.5mm sq, 50/0.12A OFC, diameter 6.50mm (+/-0.20), capacitance approx. 80 pF/m, max conductor resistance 32.6 or less ohm/km + - Optional CU-5050 cable: conductor size 0.25mm sq, 50/0.08A OFC, diameter 5.00mm, capacitance approx. 80 pF/m, max conductor resistance 100 or less ohm/km + - JP. PAT. NO. 6587243 / DES. PAT. JP. 1645382 / DES. PAT. JP. 1645383 +videos: + - provider: youtube + videoId: bz3fV89W5ao + title: DEMO diff --git a/data/accessories/free-the-tone-detail59.yaml b/data/accessories/free-the-tone-detail59.yaml new file mode 100644 index 000000000..357205c4c --- /dev/null +++ b/data/accessories/free-the-tone-detail59.yaml @@ -0,0 +1,26 @@ +id: -pfEDLduf-bSQYpM1gAJ- +name: CM-3510-TRS +manufacturer: free-the-tone +primaryCategory: cable +categories: + - midi +url: https://www.freethetone.com/en/products/detail59/ +description: MIDI cable terminated with an L-shape 3.5 mm stereo miniature plug + at one end and a 360-degree accessible DIN plug at the other. Two-core + shielded wire protects the MIDI signal from external noise. +details: |- + The CM-3510-TRS is a variation on Free The Tone's CM-3510 MIDI cable, adding an L-shape 3.5 mm stereo miniature plug to the family. The CM-3510's own feature, a Free-Angle Cap structure that allows 360-degree access at the DIN end, carries over unchanged. + + A growing number of devices use stereo miniature plugs as their MIDI input and output terminals, and this cable exists to reach them: one end is the L-shape 3.5 mm stereo miniature plug, the other the 360-degree accessible DIN plug. As with the CM-3510, a two-core shielded wire is used to protect the MIDI signal from extraneous noise and keep transmission stable. + + The Free-Angle Cap is fitted after the cable is connected. The cable goes into the equipment's MIDI terminal first, then it is bent in the direction it needs to run and the cap is replaced. The maker warns that changing the cable direction while the cap is on may disconnect the cable, so the cap should be removed first. + + The original L-plug design is what allows the 360-degree access, and the reduced plug size takes up less pedalboard space than a conventional MIDI plug. The cable is sold in four lengths, 30 cm, 50 cm, 80 cm and 100 cm. +specs: |- + - One end L-shape 3.5 mm stereo miniature (TRS) plug, other end 360-degree accessible DIN plug + - Original Free The Tone design L-plug allows 360-degree access + - Two-core shielded cable blocks external noise and provides a stable MIDI signal + - Reduced plug size takes up less pedalboard space + - Available lengths: 30cm, 50cm, 80cm, 100cm + - Free-Angle Cap must be removed before changing the cable direction, or the cable may become disconnected +releaseDate: 2020-08-07 diff --git a/data/accessories/free-the-tone-detail61.yaml b/data/accessories/free-the-tone-detail61.yaml new file mode 100644 index 000000000..ca8f34c0b --- /dev/null +++ b/data/accessories/free-the-tone-detail61.yaml @@ -0,0 +1,19 @@ +id: 3t4r5ggHfL96BPjUD7zG9 +name: CM-3510-TRS/SC +manufacturer: free-the-tone +primaryCategory: cable +categories: + - midi +url: https://www.freethetone.com/en/products/detail61/ +description: A 15 cm MIDI conversion cable that converts a 5-pin DIN MIDI plug + to a 3.5-mm stereo mini plug. +details: |- + The CM-3510-TRS/SC is a MIDI conversion cable that converts a DIN connector to a 3.5-mm stereo mini plug. It is 15 cm long. + + DIN connectors are widely used as MIDI I/O connectors on effects units, keyboards and similar gear, but as those devices have become smaller, products that use stereo mini plugs for MIDI signal connection have become more common. Attaching the CM-3510-TRS/SC to the 5-pin DIN plug of a DIN type MIDI cable converts it to a 3.5-mm stereo mini plug type cable. + + The cable belongs to Free The Tone's CM-3510 Series, which uses 2-conductor shielded wire to protect MIDI signals from external noise and to keep MIDI signal transmission stable. +specs: |- + - MIDI conversion cable, 15 cm + - Converts a 5-pin DIN MIDI plug to a 3.5-mm stereo mini plug + - 2-conductor shielded wire diff --git a/data/accessories/free-the-tone-detail75.yaml b/data/accessories/free-the-tone-detail75.yaml new file mode 100644 index 000000000..ed2b1ba60 --- /dev/null +++ b/data/accessories/free-the-tone-detail75.yaml @@ -0,0 +1,33 @@ +id: 819HdE1rVREKEw5Q1QLnM +name: CB-5028 +manufacturer: free-the-tone +primaryCategory: cable +categories: + - utility +url: https://www.freethetone.com/en/products/detail75/ +description: A stereo link cable built on newly developed small 1/4-inch stereo + plugs with 17 mm caps, for connecting expression pedals to effects units or + carrying MIDI signals inside a pedalboard. +details: |- + In recent years the downsizing and lightening of effects pedalboards has moved quickly, and Free The Tone has been working on shrinking the plugs used for its cables. A stereo plug has one more terminal than a mono plug and is harder to miniaturize, but a new approach to the structure made it possible, and the CB-5028 STEREO LINK CABLE is the result of using those small stereo plugs. + + Shrinking the plug meant reviewing the structure of the soldered terminals that join the cable to the plug. The whole cable and soldering section is now covered with resin, and the structure holding the cable was changed significantly. Because resin fills the space between the terminals, the joint is effectively insulated, and because resin sits between the cap and the cable, the assembly resists deformation when the cable is pulled, which makes it durable. + + The newly developed plug cap is 17 mm long. The cap on the stereo plug used in Free The Tone's CB-6560 cable is 33 mm, so this one is about half the length. Making the cap a pressed-on type also guards against it working loose. + + Both straight and L-angle plug types are offered. The straight plug is easy to insert and remove despite its size and suits places where cables are plugged and unplugged often; it carries Free The Tone's wave-shaped groove as an anti-slip feature. The L-angle type suits tight spots inside a pedalboard. + + The cable is a two-core construction, 28 strands of 0.10 mm OFC per conductor with a 0.55 mm conductor diameter, 0.375 mm insulation and a 1 mm jacket, 5 mm in overall diameter, terminated in 1/4-inch stereo standard phone plugs. It can be used for connecting expression pedals to effects units or for transmitting and receiving MIDI signals. +specs: |- + - Plug: 1/4-inch stereo standard phone plug + - Number of cores: 2 + - Conductor diameter: 0.55 mm + - Construction: 28/0.10 OFC (no/mm) + - Insulation thickness: 0.375 mm + - Jacket thickness: 1 mm + - Overall diameter: 5 mm + - Plug cap length 17 mm, about half the 33 mm cap used on the CB-6560 cable + - Pressed-on cap, with soldered terminals resin-coated for durability + - Straight and L-angle plug types available + - Available as S/S, S/L and L/L in 30 cm, 50 cm and 80 cm lengths + - Suitable for expression pedal connections and for MIDI signals diff --git a/data/accessories/free-the-tone-detail78.yaml b/data/accessories/free-the-tone-detail78.yaml new file mode 100644 index 000000000..94ed01095 --- /dev/null +++ b/data/accessories/free-the-tone-detail78.yaml @@ -0,0 +1,31 @@ +id: EX1jomLAonL-d6Ys2cQvu +name: CU-7030 +manufacturer: free-the-tone +primaryCategory: cable +categories: + - utility +url: https://www.freethetone.com/en/products/detail78/ +description: An instrument cable built around a woven fiber protective sleeve + and a cast zinc alloy plug cap, developed over five years and more than twenty + prototypes to deliver the sound that makes you want to keep on playing. +details: |- + Free The Tone's instrument cables are developed and refined around the idea of delivering the sound that makes you want to keep on playing. Significant time goes into their development, with repeated prototyping to reach a sound that feels truly pleasant while electrical performance and durability stay in balance. Over the past five years more than twenty different cable prototypes were tried, exploring new materials and new structural designs. + + The CU-7030 is the cable that embodies that comfortable sound. It carries a protective sleeve with a black base and blue accents, and a distinctive zinc alloy plug cap marked with Free The Tone's signature wave design. + + Covering a shielded cable with a protective sleeve is a long-established technique, but the sleeve material was examined carefully for how it changes sound quality, flexibility and resistance to coiling. The method chosen weaves fiber around the cable's outer layer, which gives the cable a texture and a handling feel of its own. + + The plug cap was developed from scratch, and it is the first Free The Tone cap made by casting. The zinc alloy used in casting offers superior durability and strength, and the cap suppresses harsh high-frequency overtones, so the cable gives a soft yet well-defined sound. + + The cable was tested extensively with a range of guitars, basses and amplifiers to refine its response and overall sound quality. Lowering the guitar's volume or tone control slightly brings out a subtle but pleasing change in sound. It is offered in 3 m and 5 m lengths, each with straight-to-straight or straight-to-L-angle plugs. +specs: |- + - Conductor size: 0.79 mm + - Construction: 30/0.12 OFC (no/mm) + - Insulation thickness: 0.6 mm + - Inner jacket thickness: 0.2 mm + - Jacket thickness: 1.7 mm + - Overall diameter: 7 mm + - Sheath material: PVC plus polypropylene fiber yarn, woven around the cable's outer layer + - Cast zinc alloy plug cap with the Free The Tone wave design + - Lengths and terminations: 3 m S/S, 3 m S/L, 5 m S/S, 5 m S/L +releaseDate: 2025-04-24 diff --git a/data/hardware/free-the-tone-detail10.yaml b/data/hardware/free-the-tone-detail10.yaml new file mode 100644 index 000000000..0bb284658 --- /dev/null +++ b/data/hardware/free-the-tone-detail10.yaml @@ -0,0 +1,129 @@ +id: S9y7MSqSKePBmG2_9r7PL +name: LB-2 +manufacturer: free-the-tone +primaryCategory: routing +categories: + - utility +url: https://www.freethetone.com/en/products/detail10/ +prices: + - amount: 26000 + currency: JPY +description: An expansion loop box developed to control various signal lines, + adding two loops to an ARC-3 or ARC-53M or providing effect loops for an + amplifier's send and return. +details: |- + The Free The Tone LB-2 is an expansion loop box developed to control various signal lines. It can add two loops to an ARC-3 or ARC-53M, or provide effect loops for an amplifier's send and return, so a sound system built around a Free The Tone routing controller becomes more flexible without a larger switcher. + + The LB-2 carries two completely independent loops. Because those loops are separate, the unit can be used in six ways depending on how it is connected: as an effects loop, as an effects loop for an amplifier send and return, as an input selector, as an output selector, as a stereo effects loop, and as a mute box. + + All of the input and output jacks and the controls are mounted on one side of the housing, which reduces the wiring space the unit takes inside a pedalboard or a rack. The control section offers ON and RMT (remote) operation. + + When only one loop is in use, the LOOP1 control terminal is the one to use. Inserting a mono standard plug into the LOOP1 control terminal automatically turns the LOOP2 terminal on, which causes no problem in actual usage, and on/off control of LOOP2 becomes available once a plug is inserted in the LOOP2 terminal. + + The unit runs on 9 V DC with centre-negative polarity and draws approximately 75 mA at most. It measures 145 by 59 by 49 mm including protuberances such as jacks and weighs approximately 230 g excluding the AC adapter. No connecting cable and no AC adapter are supplied. Free The Tone builds stereo cables to order for connecting an ARC series unit to the LB-2, in 30 cm, 50 cm and 1 m lengths and in other lengths in 10 cm increments. +specs: |- + - Number of loops: 2 (two separated loops) + - Control: ON, RMT (remote) + - Terminals: 9x 1/4-inch phone jacks (for inputs, outputs and control), 1x 1/4-inch TRS phone jack (for control), 1x DC 9V input jack (for AC adapter) + - Power supply: 9 V DC centre-negative polarity + - Current consumption: approx. 75 mA (max.) + - Dimensions: 145W x 59D x 49H mm (incl. protuberances such as jacks) + - Weight: approx. 230 g (excl. AC adapter) + - Accessories: warranty card, Web Access Card, 4x rubber feet (no connecting cable and no AC adapter are supplied) + - Usable six ways: effects loop, effects loop for amplifier send/return, input selector, output selector, stereo effects loop, mute box +io: + - key: oP7BTS3Y + name: Loop 1 Input + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: TfIPuDnR + name: Loop 1 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 26WeVUxQ + name: Loop 1 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: odM27YGJ + name: Loop 1 Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: RHsSXW40 + name: Loop 2 Input + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uEQH2kju + name: Loop 2 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: YBKgxWxL + name: Loop 2 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Gcml43yB + name: Loop 2 Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ccgzpyY5 + name: Remote Control + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 5wSfuA6b + name: Loop Control (TRS) + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 6bBYKvCe + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/lb2/LB-2_Manual_en.pdf + type: resource + title: LB-2 LOOP BOX Manual + - url: https://www.freethetone.com/upload/en/file/manual/system/lb2/LB-2_ex.pdf + type: resource + title: LB-2 LOOP BOX For connection diagrams diff --git a/data/hardware/free-the-tone-detail11.yaml b/data/hardware/free-the-tone-detail11.yaml new file mode 100644 index 000000000..5bf132659 --- /dev/null +++ b/data/hardware/free-the-tone-detail11.yaml @@ -0,0 +1,54 @@ +id: RYFfkQs7GZ0yC_QlnPzo0 +name: MC-3 +manufacturer: free-the-tone +primaryCategory: midi-controller +categories: + - utility +url: https://www.freethetone.com/en/products/detail11/ +prices: + - amount: 26000 + currency: JPY +description: An easy-to-use, compact programmable MIDI controller that operates + in two modes, Mode-1 for sending program change numbers and Mode-2 for presets + that can also carry control change numbers. +details: |- + The Free The Tone MC-3 is an easy-to-use, compact programmable MIDI controller which operates in two modes, Mode-1 for sending program change numbers and Mode-2 for presets. Three footswitches cover both. + + In Mode-1 the program change number is selected by pressing the left or right footswitch and the number to be sent is determined by the centre footswitch. Any channel from 1 to 16 can be selected and a program change number from 1 to 128 sent on it. + + In Mode-2, the preset mode, control change numbers can be selected in addition to program change numbers, and the desired number can be assigned and programmed to one of the three footswitches and then sent. That makes for more flexible sound system creation. + + Because the MC-3 supports control change sending, it is useful well beyond recalling a program on a connected device: it can act as a tap tempo entry controller for an effects unit, or as a channel switching footswitch for a MIDI amplifier. + + The MC-3 can be powered either by a 9-volt battery (PP3/006P) or by a common 9 VDC AC adapter, which widens where it can be used. Estimated battery life in actual use is about 10 hours on a manganese battery and about 35 hours on an alkaline one. The unit draws approximately 25 mA, measures 120 by 95.7 by 54.1 mm including protuberances such as footswitches, and weighs approximately 315 g excluding the battery. +specs: |- + - Terminals: 1x DIN 5-pin connector (MIDI OUT), 1x DC 9V input jack (for AC adapter) + - Power supply: 9-volt battery (PP3/006P) or AC adapter + - Estimated battery life: about 10 hours (manganese), about 35 hours (alkaline) + - Current consumption: approx. 25 mA + - Mode-1 sends program change numbers 1 to 128 on any channel from 1 to 16 + - Mode-2 (preset mode) also allows control change numbers + - Dimensions: 120W x 95.7D x 54.1H mm (incl. protuberances such as footswitches) + - Weight: approx. 315 g (excl. battery) + - Accessories: warranty card, Web Access Card, battery (PP3/006P), 4x rubber feet +io: + - key: gAQ4vOsA + name: MIDI Out + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: 2Fz0xciz + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/mc3/MC-3_manual_en.pdf + type: resource + title: MC-3 MIDI CONTROLLER Manual diff --git a/data/hardware/free-the-tone-detail15.yaml b/data/hardware/free-the-tone-detail15.yaml new file mode 100644 index 000000000..32d2b29a8 --- /dev/null +++ b/data/hardware/free-the-tone-detail15.yaml @@ -0,0 +1,82 @@ +id: 94R6YdJVCvY7SYJztSA1Z +name: STRING SLINGER SS-1V +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive +url: https://www.freethetone.com/en/products/detail15/ +prices: + - amount: 38000 + currency: JPY +description: STRING SLINGER for Best American Blues Sound +details: |- + The Integrated Series began as Free The Tone's 15th anniversary project, restructuring every component of an effects unit around the company's accumulated experience and its own sense of tone. The first release in the series is a pair of overdrive pedals, the STRING SLINGER and the FIRE MIST. + + The design targets were extended dynamic range, brilliant overtones, long sustain, a quick but fat tone and, above all, a pure and clean overdrive sound. Electronic circuits and parts were investigated in turn alongside factors such as magnetic fields and resonance, and the case and knob materials were selected to match. The pedals took several years and many prototypes to complete. + + Both pedals carry a lot of headroom and volume. With the drive at zero the pedal gives a cleanish boost that tightens the low end and brings the mids forward, which works well to push an amp into overdrive. Even with the drive at maximum there is still good note definition on chords and rhythm parts, and the pedal cleans up well when the guitar volume is rolled back, so it responds closely to playing dynamics. + + The STRING SLINGER is voiced for the American Blues sound associated with the classic Black Face period. Its viscous clean-to-crunch tone has a moderate compression feel, and the overdrive is thick, harmonic and touch sensitive. + + The pedal uses the renewed HTS (Holistic Tonal Solution) circuit, which handles impedance conversion while keeping the character of the guitar and amplifier intact, along with custom turned brass knobs, a metal tone plate over the IC for damping and shielding, and a passive tone circuit that minimizes phase shift in the guitar signal. +specs: |- + - Input impedance: min. 500 kOhm + - Output load impedance: min. 10 kOhm + - Controls: LEVEL, TONE, DRIVE + - Terminals: 2 x 1/4 inch phone jacks (input and output), 1 x DC 9V input jack for AC adapter + - Power supply: 9-volt battery (PP3/006P) or AC adapter + - Current consumption: approx. 8 mA + - Dimensions: 98 (W) x 120 (D) x 51 (H) mm including protuberances such as footswitches and jacks + - Weight: approx. 640 g excluding battery + - Renewed HTS (Holistic Tonal Solution) circuit for impedance conversion and low noise + - Passive tone circuit to minimize phase shift + - Custom turned brass control knobs + - Metal IC tone plate for damping and shielding + - Accessories: warranty card, Web Access Card, 9-volt battery (PP3/006P), 4 rubber feet +io: + - key: 0cItGJU1 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: oEmw1jsp + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: mn3lgrLl + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/ss1v/SS-1V_manual_en.pdf + type: resource + title: STRING SLINGER SS-1V Manual +videos: + - provider: youtube + videoId: S3s7cXUJX-0 + - provider: youtube + videoId: bVoL7BfItrA + - provider: youtube + videoId: q3-iSkeYyyE + - provider: youtube + videoId: UCd5JpetQhs + - provider: youtube + videoId: RcEiZcrvk7o + - provider: youtube + videoId: 9D_zE-V0a_g + - provider: youtube + videoId: rmS_LI3bGBc diff --git a/data/hardware/free-the-tone-detail16.yaml b/data/hardware/free-the-tone-detail16.yaml new file mode 100644 index 000000000..7ab793458 --- /dev/null +++ b/data/hardware/free-the-tone-detail16.yaml @@ -0,0 +1,82 @@ +id: iUtG96WCQr8PPOWm5JyJN +name: FIRE MIST FM-1V +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive +url: https://www.freethetone.com/en/products/detail16/ +prices: + - amount: 38000 + currency: JPY +description: FIRE MIST for True British Rock Sound +details: |- + The Integrated Series began as Free The Tone's 15th anniversary project, restructuring every component of an effects unit around the company's accumulated experience and its own sense of tone. The first release in the series is a pair of overdrive pedals, the STRING SLINGER and the FIRE MIST. + + The design targets were extended dynamic range, brilliant overtones, long sustain, a quick but fat tone and, above all, a pure and clean overdrive sound. Electronic circuits and parts were investigated in turn alongside factors such as magnetic fields and resonance, and the case and knob materials were selected to match. The pedals took several years and many prototypes to complete. + + Both pedals carry a lot of headroom and volume. With the drive at zero the pedal gives a cleanish boost that tightens the low end and brings the mids forward, which works well to push an amp into overdrive. Even with the drive at maximum there is still good note definition on chords and rhythm parts, and the pedal cleans up well when the guitar volume is rolled back, so it responds closely to playing dynamics. + + Where its sibling is voiced for American Blues, the FIRE MIST renders the edgy, traditional British Rock sound associated with the golden Plexi panel, with outstanding response. + + The pedal uses the renewed HTS (Holistic Tonal Solution) circuit, which handles impedance conversion while keeping the character of the guitar and amplifier intact, along with custom turned brass knobs, a metal tone plate over the IC for damping and shielding, and a passive tone circuit that minimizes phase shift in the guitar signal. +specs: |- + - Input impedance: min. 1 MOhm + - Output load impedance: min. 10 kOhm + - Controls: LEVEL, TONE, DRIVE + - Terminals: 2 x 1/4 inch phone jacks (input and output), 1 x DC 9V input jack for AC adapter + - Power supply: 9-volt battery (PP3/006P) or AC adapter + - Current consumption: approx. 10 mA + - Dimensions: 98 (W) x 120 (D) x 51 (H) mm including protuberances such as footswitches and jacks + - Weight: approx. 640 g excluding battery + - Renewed HTS (Holistic Tonal Solution) circuit for impedance conversion and low noise + - Passive tone circuit to minimize phase shift + - Custom turned brass control knobs + - Metal IC tone plate for damping and shielding + - Accessories: warranty card, Web Access Card, 9-volt battery (PP3/006P), 4 rubber feet +io: + - key: Liw2pYtA + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: DYtk2rls + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: i0B0B6iH + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/fm1v/FM-1V_manual_en.pdf + type: resource + title: FIRE MIST FM-1V Manual +videos: + - provider: youtube + videoId: rYf3e-z1N-8 + - provider: youtube + videoId: aQN925vc9R0 + - provider: youtube + videoId: aYNiAjxmA1Q + - provider: youtube + videoId: Jd7BL6liuKw + - provider: youtube + videoId: nQL1zRZDSC4 + - provider: youtube + videoId: y0qOzrao3vM + - provider: youtube + videoId: jhHPYkOBHk0 diff --git a/data/hardware/free-the-tone-detail17.yaml b/data/hardware/free-the-tone-detail17.yaml new file mode 100644 index 000000000..e925f5b7a --- /dev/null +++ b/data/hardware/free-the-tone-detail17.yaml @@ -0,0 +1,77 @@ +id: tOUkObDcTyStWqLhG4E1E +name: BLACK VEHICLE BV-1V +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect + - distortion +capabilities: + - overdrive + - distortion + - equalization + - boost +url: https://www.freethetone.com/en/products/detail17/ +prices: + - amount: 40000 + currency: JPY +description: From a natural overdrive sound to a distorted sound, the "BLACK + VEHICLE" can create a wide variety of sounds similar to driving a vacuum tube + amplifier. +details: |- + The Integrated Series began as Free The Tone's 15th anniversary project, restructuring every component of an effects unit around the company's accumulated experience and its own sense of tone. The second release in that series is the BLACK VEHICLE, a bass overdrive pedal. + + The BLACK VEHICLE carries a newly developed HTS (Holistic Tonal Solution) circuit designed for electric bass. The HTS circuit prevents a thin sound, keeps the texture of the unit's sound consistent whether the effect is on or off, and passes the received signal on to the following circuit in optimal condition. + + Newly designed EQ and MIX circuits are also fitted. The TREBLE and BASS controls affect only the drive sound, and the MIX circuit blends the unprocessed dry signal back in with it. Together they minimize signal phase error and stop the sound being buried as the drive amount is increased, so the drive retains a clear pitch and contour. + + Two types of boost are provided. PRE BOOST controls how much signal is sent into the overdrive section and POST BOOST adjusts the output volume, so the volume can be raised without changing the tonal character, or the distortion amount increased without changing the volume. + + The pedal has the sparkling overtones and long sustain of a well driven valve amplifier and covers a wide range of amp-like sounds, from a natural overdrive through to a rich distorted tone. It shares the series' custom turned brass knobs, optimized case design and metal IC tone plate for damping and shielding. +specs: |- + - Input impedance: min. 1 MOhm + - Output load impedance: min. 10 kOhm + - Controls: LEVEL, MIX, BASS, TREBLE, GAIN, POST BOOST, PRE BOOST + - Terminals: 2 x 1/4 inch phone jacks (input and output), 1 x DC 9V input jack for AC adapter + - Power supply: 9V DC centre negative polarity, no AC adapter included + - Current consumption: approx. 200 mA + - Dimensions: 95 x 124 x 51 (H) mm including protuberances such as footswitches and jacks + - Weight: approx. 640 g + - HTS (Holistic Tonal Solution) circuit developed for electric bass + - TREBLE and BASS EQ circuits that act on the drive sound only + - MIX circuit to blend the dry signal with the drive sound + - Custom turned brass control knobs + - Metal IC tone plate for damping and shielding + - Accessories: warranty card, Web Access Card, 4 rubber feet +io: + - key: MPdydsW8 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ORssPOBj + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: sxiB937Z + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/bv1v/BV-1V_Manual_en.pdf + type: resource + title: BLACK VEHICLE BV-1V Manual +videos: + - provider: youtube + videoId: ZxCaHXQCGjA diff --git a/data/hardware/free-the-tone-detail18.yaml b/data/hardware/free-the-tone-detail18.yaml new file mode 100644 index 000000000..caa4cc414 --- /dev/null +++ b/data/hardware/free-the-tone-detail18.yaml @@ -0,0 +1,102 @@ +id: 1BNzg0AWUc7m0PJhyx4ir +name: PA-1QG +manufacturer: free-the-tone +primaryCategory: equalizer +categories: + - pedal + - effect + - analog +capabilities: + - equalization + - boost +url: https://www.freethetone.com/en/products/detail18/ +prices: + - amount: 48000 + currency: JPY +description: Achieve rich analog sound with the ease and versatility of digital control +details: |- + The PA-1Q series came out of Free The Tone's work on integrating the digital and analog technologies developed for the AMBI SPACE and TRI AVATAR, after more than ten years of development from the original concept. + + At first glance the units look like digital equalizers, but they are analog equalizers. Every equalizer circuit through which the guitar or bass signal passes, including the input and output sections, is fully analog, which is the same signal processing method found in graphic equalizers with conventional slider controls. Only the parameter control section is digital, storing and processing parameter states in the digital domain so that presets and MIDI can drive the analog circuit in real time. + + The renewed HTS (Holistic Tonal Solution) circuit manages the signal from input to output so that the sound texture stays the same whether the effect is on or off. The ten equalizer bands and their curves are chosen per instrument, and the PA-1QG's frequencies are selected for electric guitar at 50 Hz, 100 Hz, 200 Hz, 400 Hz, 800 Hz, 1500 Hz, 2500 Hz, 3500 Hz, 7 kHz and 10 kHz, each with plus or minus 12 dB of range. + + Any of 99 presets can be recalled instantly over MIDI. Beyond equalization, the unit doubles as a preset volume controller that manages level per preset, which suits raising the volume for a solo or levelling out output differences when switching between several instruments. + + Controls are a pair of cursor keys, a PARAMETER encoder and an INST (-10 dB) / LINE (+4 dB) level selector switch, and the unit is housed in a compact pedal enclosure at 120 x 102.3 x 58.5 mm. +specs: |- + - Number of presets: 99 + - Input impedance: INST min. 1 MOhm, LINE min. 300 kOhm + - Output load impedance: min. 10 kOhm + - Max. input level: INST +4 dBu, LINE +14 dBu with EQ flat + - Frequency response: 10 Hz to 40 kHz (+/- 0.5 dB) with EQ flat + - Controls: cursor keys, PARAMETER encoder, INST (-10 dB) / LINE (+4 dB) level selector switch + - PA-1QG bands: 50 Hz, 100 Hz, 200 Hz, 400 Hz, 800 Hz, 1500 Hz, 2500 Hz, 3500 Hz, 7 kHz, 10 kHz (+/- 12 dB) + - Terminals: 1/4 inch standard phone jack x 2 (input and output), DC 9V input jack for AC adapter, DIN 5-pin connector x 2 (MIDI IN and OUT/THRU) + - Power supply: 9V DC centre negative polarity, no AC adapter included + - Current consumption: 200 mA + - Dimensions: 120 x 102.3 x 58.5 mm or 4.7 x 4.0 x 2.3 inches including protuberances such as the footswitch and jacks + - Weight: approx. 350 g or 0.77 lbs excluding accessories + - Fully analog signal path with digital parameter control + - Renewed HTS (Holistic Tonal Solution) circuit + - Doubles as a per-preset volume controller + - Accessories: warranty card, manual, rubber feet x 4 +io: + - key: HRQgwLG1 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: eoci1CmT + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 2pTS14mx + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: Rl1cXPMK + name: MIDI OUT/THRU + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: xtdm4FLJ + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "1.01" +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_Manual_Rev_en.pdf + type: resource + title: PA-1Q Series Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_QuickStart_Rev_en.pdf + type: resource + title: PA-1Q Series Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_DataDump_en.pdf + type: resource + title: PA-1Q Series Preset Data Dump and Download + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_FirmwareUpdate_E.pdf + type: resource + title: PA-1Q Series Firmware Update Procedure Manual + - url: https://www.freethetone.com/en/support/download/firmware/#product_18 + type: support + title: PA-1QG Firmware Download diff --git a/data/hardware/free-the-tone-detail19.yaml b/data/hardware/free-the-tone-detail19.yaml new file mode 100644 index 000000000..85e48aaf2 --- /dev/null +++ b/data/hardware/free-the-tone-detail19.yaml @@ -0,0 +1,124 @@ +id: rP1D-J4GtfwdnFSvC_RY7 +name: FLIGHT TIME FT-2Y +manufacturer: free-the-tone +primaryCategory: delay +categories: + - pedal + - effect + - digital + - looper +capabilities: + - delay + - looper + - filter + - boost +url: https://www.freethetone.com/en/products/detail19/ +prices: + - amount: 58000 + currency: JPY +description: HIGH SOUND QUALITY DIGITAL DELAY +details: |- + The FLIGHT TIME FT-2Y is a high sound quality digital delay with a Realtime BPM Analyzer and a Delay Time Offset feature, both of which Free The Tone states were world firsts as of September 2014. It was introduced as the successor to the FT-1Y, with the analog, power supply and digital circuits and the firmware all redesigned for better sound quality. + + The Realtime BPM Analyzer trims the delay time automatically by analysing the tempo of the current performance, within plus or minus 20 percent of the BPM tapped in on a footswitch. The Delay Time Offset feature deliberately offsets the delay against the tune's BPM so that the repeats are not masked by on-beat sounds, with a shorter setting giving a high-speed impression and a longer one broader phrasing. The offset amount is stored per preset. The BPM analyzer was jointly developed with Faudio. + + A 32-bit high-precision DSP does the processing, aimed at the sonic quality of classic rack delay units rather than at simulation or modelling. Dry signals travel from input to output in the analog domain and are mixed with the delay at an internal analog mixer, and the HTS (Holistic Tonal Solution) circuit keeps the effect and bypass sounds the same texture. + + Per-preset settings include high-pass and low-pass filters, modulation applied to the delay sound, delay phase inversion, a subdivision setting for the beat count, a trail function that keeps the previous delay alive across a preset change, and up to 3 dB of output boost. A Rec and Repeat function records and loops up to 20 seconds of incoming signal, with the preset delay applied to both the loop and what is played over it, although layering is not possible. A Hold function triggers the stored delay sound from an external footswitch even with the effect switched off, and a rear switch turns the dry signal on and off for use with an external mixer. + + The FT-2Y adds instrument and line input level switching, instant switching between presets 1 and 2, and a MIDI OUT that can dump preset contents to a computer. Presets are recalled by MIDI program change and features can be remote-controlled by control change, across 99 presets made up of 90 user and 9 factory slots. +specs: |- + - Number of presets: 99 (90 user, 9 factory) + - Input impedance: min. 500 kOhm + - Output load impedance: min. 1 kOhm + - Max. input level: INST +2 dBu, LINE +13 dBu + - 32-bit high-precision DSP + - Realtime BPM Analyzer with plus or minus 20 percent automatic trimming + - Delay Time Offset stored per preset + - Rec and Repeat: up to 20 seconds, single phrase, no layering + - Per-preset HPF and LPF, modulation, delay phase invert, subdivision, trail and boost up to +3 dB + - Instrument and line input level switching + - Dry on/off switch on the rear panel + - MIDI program change preset recall, control change remote control and MIDI OUT preset dump + - Terminals: standard 1/4 inch phone jacks (IN, OUT, HOLD) + - Power supply: 9V DC centre negative polarity, no AC adapter included; the power supply specification changed in September 2024, so check the voltage marked on the rear panel + - Power consumption: approx. 400 mA + - Dimensions: 146 (W) x 120.5 (D) x 57 (H) mm including protuberances such as jacks + - Weight: approx. 560 g excluding accessories +io: + - key: 25n13tUM + name: IN + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wNo6Lul6 + name: OUT + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: lPZFwEXN + name: HOLD Footswitch + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: TYmrVgsc + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: r2crVoYX + name: MIDI OUT + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: 5RjJyx9H + name: DC Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "3.1" +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/ft2y/FT-2Y_Manual_en.pdf + type: resource + title: "FLIGHT TIME FT-2Y Manual (Power Supply: DC9-12V)" + - url: https://www.freethetone.com/upload/file/en/manual/effects/ft2y/Flight_Time_EN_ver_1_3_2.pdf + type: resource + title: "FLIGHT TIME FT-2Y Manual (Power Supply: DC9V, for Serial Number 1499 and + After)" + - url: https://www.freethetone.com/upload/en/file/manual/effects/ft2y/FT-2Y_QuickStart_en.pdf + type: resource + title: FLIGHT TIME FT-2Y Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/ft2y/FT-2Y_DataDump_en.pdf + type: resource + title: FLIGHT TIME FT-2Y Preset Data Dump and Download + - url: https://www.freethetone.com/upload/en/file/manual/effects/ft2y/FT-2Y_FirmwareUpdate_E.pdf + type: resource + title: FLIGHT TIME Firmware Update Procedure Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/ft2y/FT-2Y_v31_release_notes.pdf + type: resource + title: Supplementary Notes to FLIGHT TIME Firmware Version 3.1 + - url: https://www.freethetone.com/en/support/download/firmware/#product_19 + type: support + title: FLIGHT TIME FT-2Y Firmware Version 3.1 Download +videos: + - provider: youtube + videoId: aNZawfUp3oE diff --git a/data/hardware/free-the-tone-detail20.yaml b/data/hardware/free-the-tone-detail20.yaml new file mode 100644 index 000000000..b41630ab4 --- /dev/null +++ b/data/hardware/free-the-tone-detail20.yaml @@ -0,0 +1,120 @@ +id: KRkyAWsmpSAlDA6lKLmWJ +name: AMBI SPACE AS-1R +manufacturer: free-the-tone +primaryCategory: reverb +categories: + - pedal + - effect + - digital +capabilities: + - reverb +url: https://www.freethetone.com/en/products/detail20/ +prices: + - amount: 45000 + currency: JPY +description: THE ULTIMATE IN REVERB AMBIENCE +details: |- + The AMBI SPACE is a compact stereo reverb built on Free The Tone's own algorithm, running on a dual core chip with a 32-bit main CPU and a 32-bit co-processor plus a 32-bit high precision DSP. The combination is aimed at the kind of complex reverberation normally found in rack mount units. The reverb suits electric guitar and bass, acoustic guitar and vocals, and is equally at home in recording and mixing. + + Six reverb modes are provided: SPRING, PLATE, ROOM, HALL, CAVE and SERENE. CAVE and SERENE are the maker's own designs, in which early reflections and late reverberation are layered in multiple stages to build a complex harmonic structure, producing a transparent and spatial reverb. + + Dry signals pass through the unit from input to output as analog signals and are mixed with the reverb at an internal analog mixer, so the original sound quality is preserved at the output. The HTS (Holistic Tonal Solution) circuit manages the signal comprehensively from input to output, so the sound character does not change when the effect is switched on or off. + + Up to four settings of all the knobs can be stored as presets, and those four presets can be recalled by MIDI program change numbers. Controls are PRE DELAY, DECAY, TONE, MIX and MODE, with an INST (-10 dB) / LINE (+4 dB) level select switch and a KILL DRY switch. + + The unit takes stereo or mono input and output on four 1/4 inch jacks and fits in a 120 x 102.3 x 58.5 mm enclosure at around 385 g. +specs: |- + - Number of presets: 4 + - Six reverb modes: SPRING, PLATE, ROOM, HALL, CAVE, SERENE + - Input impedance: INST min. 1 MOhm, LINE min. 300 kOhm + - Output load impedance: min. 10 kOhm + - Maximum input level: INST +3 dBu, LINE +11 dBu + - Controls: PRE DELAY, DECAY, TONE, MIX, MODE, INST (-10 dB) / LINE (+4 dB) level select switch, KILL DRY switch + - Terminals: 4 x 1/4 inch phone jacks for L (mono) / R input and L (mono) / R output, 1 x DIN 5-pin MIDI IN, 1 x DC 9V input jack for AC adapter + - Power supply: 9V DC centre negative polarity + - Current consumption: approx. 280 mA + - Dimensions: 120 x 102.3 x 58.5 mm or 4.72 x 4.03 x 2.3 inches including protrusions such as footswitches and jacks + - Weight: approx. 385 g or 0.85 lbs excluding accessories + - 32-bit dual core chip with 32-bit high precision DSP + - Analog dry path with internal analog mixer + - HTS (Holistic Tonal Solution) circuit + - Four presets recallable by MIDI program change + - Accessories: warranty card, owner's manual, 4 rubber feet +io: + - key: ArhVyLiE + name: INPUT L (mono) + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 5Y2CYGbv + name: INPUT R + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: MVvnSoyw + name: OUTPUT L (mono) + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: NfpGv6Cs + name: OUTPUT R + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: QWBsolvC + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: Ywhchrtf + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "2.1" +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/as1r/AS-1R_Manual_en.pdf + type: resource + title: AMBI SPACE AS-1R Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/as1r/AS-1R_QuickStart_en.pdf + type: resource + title: AMBI SPACE AS-1R Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/as1r/AS-1R_FirmwareUpdate_E.pdf + type: resource + title: AMBI SPACE Firmware Update Procedure Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/as1r/AS-1R_v21_release_notes.pdf + type: resource + title: Supplementary Notes to AMBI SPACE Firmware Version 2.1 + - url: https://www.freethetone.com/en/support/download/firmware/#product_20 + type: support + title: AMBI SPACE AS-1R Firmware Version 2.1 Download +videos: + - provider: youtube + videoId: ufhX9-x17MQ + - provider: youtube + videoId: nts1HkypJe4 + - provider: youtube + videoId: cLrvNxYVXQY + - provider: youtube + videoId: 4bIdJ4Lw918 + - provider: youtube + videoId: gJ1bVI4cLFE diff --git a/data/hardware/free-the-tone-detail4.yaml b/data/hardware/free-the-tone-detail4.yaml new file mode 100644 index 000000000..6c00a28e5 --- /dev/null +++ b/data/hardware/free-the-tone-detail4.yaml @@ -0,0 +1,191 @@ +id: k3nm4Y8KRLBfogaa7wXzN +name: ARC-53M +manufacturer: free-the-tone +primaryCategory: routing +categories: + - midi-controller + - utility +url: https://www.freethetone.com/en/products/detail4/ +description: A downsized Audio Routing Controller that inherits the versatility, + sonic quality and durability of the ARC-3, with the HTS (Holistic Tonal + Solution) circuit driven by internal plus/minus 15 VDC and control of MIDI + devices packed into a smaller housing. +details: |- + The ARC-53M is a downsized Audio Routing Controller that inherits the versatility, high sonic quality and high durability of the Free The Tone ARC-3. The basic features of the larger unit, the HTS (Holistic Tonal Solution) circuit driven by an internal plus/minus 15 VDC supply and the control of MIDI devices, are carried over without compromise into a smaller housing, so professional quality routing fits on a smaller pedalboard. + + The HTS circuit handles the interface section of an effects unit, its input and output, and is built from three separate stages: an Input Circuit, a Noiseless Effect On/Off Circuit and an Output Driver Circuit. The input stage receives the signal according to the conditions of the source and strips noise from unnecessary frequency bands before the signal reaches the effect circuit. The on/off stage uses no switching element such as an FET, so it transfers the guitar sound without the dullness or distortion typical of electronic switching. The output driver keeps the output impedance fixed whether the unit is on or off, so the effected and bypassed sounds have the same sound quality. + + Routing is built around five loops, four in series and one separate, with 200 presets arranged as 20 banks of 10. Three control terminals are switchable between latch and momentary operation. Four MIDI program change numbers and four MIDI control change numbers can be sent in parallel, with send channels CH1 to CH4 fixed, and the display mode can be switched to show the program change number currently being sent on each channel at a glance. + + Silent-click custom footswitches respond quickly to fast operation and sit 70 mm apart, with the first and second rows mounted at different angles for playability on a compact body. Each footswitch LED is covered by a lens so sweat and other moisture cannot reach the internal circuits, and a felt sheet behind the display unit adds further protection. Preset and bank copy and delete functions are provided, and a dedicated panel keeps the edit menu shallow so that editing takes less time. + + The unit draws approximately 400 mA at most from a 12 VDC AC adapter, which is supplied, and measures 330 by 92.5 by 60.5 mm including protuberances such as footswitches and jacks at approximately 1.1 kg. A black version is manufactured to order. +specs: |- + - Number of loops: 5 (series loop: 4, separate loop: 1) + - Number of presets: 200 (20 banks x 10 presets) + - Control terminals: 3 (latch/momentary switchable) + - Input impedance: 1 MOhm (HTS-IN) + - Output impedance: max. 200 Ohm (OUT) + - Power supply: 12 VDC AC adapter + - Current consumption: approx. 400 mA (max.) + - Dimensions: 330W x 92.5D x 60.5H mm (incl. protuberances such as footswitches, jacks, etc.) + - Weight: approx. 1.1 kg (excl. accessories) + - Number of MIDI program change number parallel sends: 4 (MIDI send channels CH1 to CH4 fixed) + - Number of MIDI control change number parallel sends: 4 + - Accessories: warranty card, manual, AC adapter (FA-1220D-JA/UK/EU), 4x rubber feet +io: + - key: WFNlGRyc + name: HTS Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 09y6Aitx + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: FpUasBu2 + name: Loop 1 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: IbkHdH5u + name: Loop 1 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 396V65NT + name: Loop 2 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Zro1uBr0 + name: Loop 2 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: vxEieXPn + name: Loop 3 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: qUlZE4P6 + name: Loop 3 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: flc6FGK8 + name: Loop 4 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: y6O3poCD + name: Loop 4 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: mmIu172h + name: Separate Loop Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: zRjeP5mL + name: Separate Loop Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wTCdMJhT + name: Control Terminal 1 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 9cvORtEE + name: Control Terminal 2 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: xJYTpy6r + name: Control Terminal 3 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: R5whSscG + name: MIDI In + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: xKjlfkuq + name: MIDI Out + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: b07bYhE7 + name: DC 12V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "2.03" +variants: + - name: Black +links: + - url: https://www.freethetone.com/upload/file/en/manual/system/arc53m/ARC-53M_Manual_E.pdf + type: resource + title: AUDIO ROUTING CONTROLLER ARC-53M Manual + - url: https://www.freethetone.com/upload/file/en/manual/system/arc53m/ARC-53M_opman_sup_note_v203E.pdf + type: resource + title: Supplementary Notes to ARC-53M Firmware Version 2.03 diff --git a/data/hardware/free-the-tone-detail43.yaml b/data/hardware/free-the-tone-detail43.yaml new file mode 100644 index 000000000..adfaa7152 --- /dev/null +++ b/data/hardware/free-the-tone-detail43.yaml @@ -0,0 +1,144 @@ +id: g6Ds-ZsVJ-lp4fut7aNgX +name: FUTURE FACTORY FF-1Y +manufacturer: free-the-tone +primaryCategory: delay +categories: + - pedal + - effect + - digital +capabilities: + - delay + - equalization + - saturation +url: https://www.freethetone.com/en/products/detail43/ +prices: + - amount: 52000 + currency: JPY +description: New World of Fluctuation Created by Dual Delay +details: |- + The FUTURE FACTORY FF-1Y was developed around the creation of a new sound. In most digital delays with a modulation function, the phase of the low frequency oscillator changes regularly at a preset cycle. In the FF-1Y the signal's phase instead changes at random whenever the signal crosses a certain attenuation level, which Free The Tone states was a world first as of November 2018. The result is a fluctuating, spacious sound that seems to float in the air, and the function works best in stereo mode. + + The unit holds two delay modules, which can be used as a stereo delay or connected in series for mono use, in parallel or in series as required. Processing runs on a 32-bit high-precision DSP, with a built-in HTS (Holistic Tonal Solution) circuit and an analog mixer. + + A dedicated 3-band equalizer is provided for the delay sound, with frequencies selectable to match the instrument in use, which the maker suggests suits guitarists and bassists as well as saxophone, violin, DJ and keyboard players. + + For players working mainly in monaural mode, a soft clipping circuit was added to one channel of the delay. Distorting the delay sound and adding it to the dry signal narrows the delay's bandwidth but adds harmonic overtones, giving a sound closer to that of vintage devices. + + Further functions include delay phase invert, a trail function, a tap input, instrument and line input level switching, preset switching across four slots from a total of 128 presets, and MIDI support on a single DIN connector that can be set as input or output. +specs: |- + - Number of presets: 128 + - Random Fluctuating Phase Modulation function, stated as a world first as of November 2018 + - Dual delay units connectable in parallel or series + - 32-bit high-precision DSP + - 3-band equalizer dedicated to the delay sound + - Soft clipping circuit on one delay channel + - Built-in HTS circuit and analog mixer + - Instrument and line input level switching + - Delay phase invert and trail function + - Tap input and preset switching across slots 1 to 4 + - Input impedance: min. 500 kOhm + - Output load impedance: min. 10 kOhm + - Max. input level: INST +3.5 dBu, LINE +11 dBu + - Terminals: standard 1/4 inch phone jacks (A-IN, B-IN, A-OUT, B-OUT, EXT), DC 9V input jack for AC adapter, DIN 5-pin connector selectable as IN or OUT + - Power supply: 9V DC centre negative polarity, no AC adapter included + - Current consumption: approx. 350 mA + - Dimensions: 145.4 (W) x 120.5 (D) x 60 (H) mm including protuberances such as jacks + - Weight: approx. 470 g + - Accessories: warranty card, manual, 4 rubber feet +io: + - key: YhO02ibv + name: A-IN + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: WdoDuqH3 + name: B-IN + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: WFWfAhtl + name: A-OUT + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: B3iraLR4 + name: B-OUT + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 9T8PCLKX + name: EXT Footswitch + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: IT1ddJdu + name: MIDI IN/OUT + signalFlow: bidirectional + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: czkwhEWV + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "1.31" +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/ff1y/FF-1Y_Manual_en.pdf + type: resource + title: FUTURE FACTORY FF-1Y Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/ff1y/FF-1Y_QuickStart_en.pdf + type: resource + title: FUTURE FACTORY FF-1Y Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/ff1y/FF-1Y_Firmware_Ver1.2_Supplementary_Notes.pdf + type: resource + title: Supplementary Notes to FUTURE FACTORY Firmware Version 1.2 + - url: https://www.freethetone.com/upload/en/file/manual/effects/ff1y/FF-1Y_FirmwareUpdate_E.pdf + type: resource + title: FUTURE FACTORY Firmware Update Procedure Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/ff1y/FF-1Y_FactoryPreset.pdf + type: resource + title: FUTURE FACTORY FF-1Y Factory Preset List + - url: https://www.freethetone.com/upload/en/file/manual/effects/ff1y/FF-1Y_DataDump_E.pdf + type: resource + title: FUTURE FACTORY FF-1Y Data Dump Manual + - url: https://www.freethetone.com/upload/file/manual/FF-1Y_Preset_Parameter_List_ENG.pdf + type: resource + title: FUTURE FACTORY FF-1Y Factory Preset Parameter List + - url: https://www.freethetone.com/en/support/download/firmware/#product_43 + type: support + title: FUTURE FACTORY FF-1Y Firmware Version 1.31 Download +videos: + - provider: youtube + videoId: qaEw39HDgJU + - provider: youtube + videoId: bKjx0jy-f7c + - provider: youtube + videoId: 5nxgmPbOjlo + - provider: youtube + videoId: D7b4bpMFzPQ + - provider: youtube + videoId: WAxE69hoVF8 + - provider: youtube + videoId: aNZawfUp3oE diff --git a/data/hardware/free-the-tone-detail50.yaml b/data/hardware/free-the-tone-detail50.yaml new file mode 100644 index 000000000..8f25a447e --- /dev/null +++ b/data/hardware/free-the-tone-detail50.yaml @@ -0,0 +1,91 @@ +id: vW8MJzw9pMxLQMA2n-rJg +name: MB-5 +manufacturer: free-the-tone +primaryCategory: midi +categories: + - routing + - utility +url: https://www.freethetone.com/en/products/detail50/ +prices: + - amount: 19000 + currency: JPY +description: The MB-5 receives one stream of MIDI data and splits it into five + to enable parallel data transmission. By receiving MIDI data directly from the + MB-5, devices can avoid the problems that can occur when they are connected + serially. +details: |- + MIDI is common to many guitar and bass devices, and Free The Tone adopts MIDI devices in most of its custom pedalboards and rack systems. A single MIDI receiving device poses no problem, but when a system holds several MIDI devices and every MIDI wire is run serially, the data transmission takes a certain amount of time, which can surface as a delay or a malfunction. + + The MB-5 receives one stream of MIDI data and splits it into five so that the data can travel in parallel. Each device takes its MIDI data directly from the MB-5 rather than through the device in front of it, which avoids the problems a serial chain can introduce. + + The wave shape of the MIDI signal fed into the MB-5 is corrected by an internal logic circuit, so transmission errors caused by a deteriorated data waveform are prevented as well. + + The box carries six 5-pin DIN connectors, one MIDI IN and five MIDI OUT. It runs from a 9 V DC centre-negative supply at roughly 8 mA, measures 100 x 52 x 30 mm and weighs about 200 g. +specs: |- + - Terminals: 6x DIN 5-pin connectors (1x MIDI IN, 5x MIDI OUT) + - Power supply: 9V DC center negative polarity + - Current consumption: approx. 8 mA + - Dimensions: 100 (W) x 52 (D) x 30 (H) mm + - Weight: approx. 200 g (excluding accessories) + - Accessories: warranty card, Web Access Card +io: + - key: aLo8f4NA + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: mF3AQvIK + name: MIDI OUT 1 + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: t42qehIb + name: MIDI OUT 2 + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: WxOdEGTO + name: MIDI OUT 3 + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: gYUAZbdI + name: MIDI OUT 4 + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: kb7s0p7k + name: MIDI OUT 5 + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: WJ23hn93 + name: DC 9V IN + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/mb5/MB-5_manual_e.pdf + type: resource + title: MB-5 MIDI THRU BOX Manual diff --git a/data/hardware/free-the-tone-detail53.yaml b/data/hardware/free-the-tone-detail53.yaml new file mode 100644 index 000000000..b82156221 --- /dev/null +++ b/data/hardware/free-the-tone-detail53.yaml @@ -0,0 +1,306 @@ +id: gcvu5z7eoFp8WPaxtqR0N +name: ARC-4 +manufacturer: free-the-tone +primaryCategory: routing +categories: + - utility + - midi + - patch-bay +capabilities: + - boost +url: https://www.freethetone.com/en/products/detail53/ +description: The flagship model of Free The Tone's ARC Series routing + controller, reborn as the ARC-4 by greatly enhancing its predecessor's + functions in order to handle systems that are growing increasingly more + sophisticated. Eight effect loops, named banks and presets, a setlist mode, + MIDI clock support and hands-on stereo loop, boost and phase invert functions. +details: |- + The ARC-4 is the flagship of Free The Tone's ARC Series audio routing controllers, built out of its predecessor to handle increasingly sophisticated rigs. Banks and presets can now be named, a Setlist mode combines banks into setlists at will, and MIDI clock support and a Bank Select function make it straightforward to run in step with external sequencer software. Stereo Loop, Boost and Phase Invert round it out for concert and recording work. + + Tone quality rests on the maker's Holistic Tonal Solution, the HTS Circuit, placed at the signal input and output. With it the amplifier downstream always receives a signal at a constant impedance whatever combination of effects units is connected, and the effected and bypassed sounds keep the same sound quality. Durability was established through repeated testing in harsh environments, primarily at concert venues. + + The unit carries eight effect loops: seven series loops, of which five are monaural and two stereo, plus one separate loop. Memory runs to 200 banks of 10 presets, 2,000 in total, and presets, banks and MIDI channels can all be labelled, so tone names, tune titles and connected device names travel with the data. + + On the MIDI side, program change and control change numbers can be sent at the same time, with 16 parallel program change sends and 8 parallel control change sends. MIDI clock is both sent and received, reception being supported as MIDI THRU. + + Footswitches sit 80 mm apart, with the first and second rows staggered to keep the panel compact, and two dedicated displays cover presets and configuration with shallow edit menus. Each footswitch LED is covered by a lens so sweat cannot reach the internal circuits, a felt sheet protects the back of the display unit, and high-strength moulded plastic phone jacks are used throughout. The output level of OUT-A and OUT-B can be set individually by the boost function over a 0 to +14 dB range, a Lock function protects the panel buttons during performance, and a universal AC adapter accepting 100 to 240 VAC is included. +specs: |- + - Number of effect loops: 8 [series loops 7 (monaural 5, stereo 2), separate loop 1] + - Number of presets: 200 banks x 10 presets, 2,000 presets in total + - Control terminals: 4 (latch or momentary operation switchable) + - Input impedance: 1 Mohm (HTS-IN) + - Output load impedance: min. 10 kohm (HTS-OUT / OUT-A / OUT-B) + - Boost range: 0 to +14 dB + - MIDI program change parallel sends: 16 + - MIDI control change parallel sends: 8 + - MIDI clock sending and receiving supported (receiving supported as MIDI THRU) + - Power supply: dedicated AC to 12VDC adapter, universal 100 to 240 VAC input + - Current consumption: approx. 750 mA + - Dimensions: 386 (W) x 152 (D) x 81.5 (H) mm, including protuberances such as footswitches and jacks + - Weight: approx. 2.1 kg (excluding accessories) + - Footswitch spacing 80 mm, first and second rows staggered + - HTS Circuit and Phase Invert function implemented +io: + - key: fEsfwWBe + name: HTS-IN + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: M9aHnOUJ + name: HTS-OUT + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: RIhOPVAY + name: OUT-A + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: zAEQAtgu + name: OUT-B + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: iX2gyZjw + name: Mono Loop 1 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wn3YSdye + name: Mono Loop 1 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Ftv3CuyG + name: Mono Loop 2 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: sTytafmp + name: Mono Loop 2 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: PNsqVqlg + name: Mono Loop 3 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Lz5EAPQg + name: Mono Loop 3 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: OiKaTQq8 + name: Mono Loop 4 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: x2Ky61OH + name: Mono Loop 4 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: imoN4Vuj + name: Mono Loop 5 Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: zSzdobCv + name: Mono Loop 5 Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: X7CIETWA + name: Stereo Loop 1 Send L + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: vECLQade + name: Stereo Loop 1 Send R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: zTYvWZ5J + name: Stereo Loop 1 Return L + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uJxsR0AB + name: Stereo Loop 1 Return R + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: KwH3dLSq + name: Stereo Loop 2 Send L + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: epgZLTrr + name: Stereo Loop 2 Send R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: qiJkcCyM + name: Stereo Loop 2 Return L + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: J5ImkVYo + name: Stereo Loop 2 Return R + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 0SkM4wer + name: Separate Loop Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: CAMuv1C3 + name: Separate Loop Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: HpSuu3eo + name: Control Terminal 1 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: WazwJbFq + name: Control Terminal 2 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 0ZICoNb3 + name: Control Terminal 3 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: eDiS6n4K + name: Control Terminal 4 + signalFlow: output + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 7wZfhNDe + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: M2mf6V62 + name: MIDI OUT + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: ukAA2ntM + name: DC 12V IN + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "1.11" +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/arc4/ARC-4_Manual1.3e.pdf + type: resource + title: AUDIO ROUTING CONTROLLER / ARC-4 Manual + - url: https://www.freethetone.com/upload/en/file/manual/system/arc4/ARC-4_ver1.11_e.pdf + type: resource + title: Supplementary Notes to ARC-4 Firmware Version 1.11 + - url: https://www.freethetone.com/upload/en/file/manual/system/arc4/ARC-4_FirmwareUpdate_E.pdf + type: resource + title: ARC-4 Firmware Update Procedure Manual + - url: https://www.freethetone.com/en/support/download/firmware/#product_53 + type: support + title: Audio Routing System ARC-4 Firmware Ver.1.11 Download diff --git a/data/hardware/free-the-tone-detail56.yaml b/data/hardware/free-the-tone-detail56.yaml new file mode 100644 index 000000000..2ae9ee07b --- /dev/null +++ b/data/hardware/free-the-tone-detail56.yaml @@ -0,0 +1,67 @@ +id: kMlRGhUokGkM8xLILBPyf +name: DVL-1H +manufacturer: free-the-tone +primaryCategory: pedal +categories: + - utility +url: https://www.freethetone.com/en/products/detail56/ +description: Volume pedal built around Free The Tone's Full-Rotation Belt-Drive + system, which uses a gear and belt rather than a string to drive the variable + resistor and links pedal travel directly to volume change. The DVL-1H is the + high impedance model, for use after a high impedance device such as a passive + pickup, a fuzz pedal or a vintage effects unit. +details: |- + An ideal volume pedal needs sound quality and durability, and it also needs a volume change that is smooth and musical. The Full-Rotation Belt-Drive system in the DVL-1 series was developed by identifying the problems in conventional volume pedals that stand in the way of that. + + Where the usual mechanism turns a variable resistor with a string, Free The Tone's system uses a gear and belt to drive the resistor linearly, so pedal travel is linked directly to volume change. The result is smooth rotation on an optimised volume curve, and the belt is reinforced with wires so it resists elongation or breakage from heavy use and age. + + Passive volume pedals commonly have a second problem: pressing the pedal fully toe-down does not take the variable resistor all the way to its clockwise end, because part of the rotation range is unusable, so the signal level can drop when the pedal is inserted even after device impedances are matched. The Full-Rotation Belt-Drive system is designed so the resistor rotates fully from minimum to maximum and that loss does not occur. + + Carefully selected high quality parts sit in the signal path to keep the tonal impact minimal. The pedal section of the enclosure is a 5 mm thick aluminium plate and the body is an aluminium and steel compound chassis, robust enough to resist deformation over long use. The series took more than two years to develop. + + Two impedance models are offered. The DVL-1H is the high impedance unit, to be placed after a high impedance source such as a guitar or bass with passive pickups, a fuzz pedal or a vintage effects unit. The DVL-1L is the low impedance unit, for use after a low impedance source such as an instrument with active pickups, a wireless receiver or an effects unit. The hole in the side panel is an adjustment point used during manufacturing and nothing should be inserted into it. +specs: |- + - Variable resistor: DVL-1H 500 kohm (DVL-1L 50 kohm) + - Terminals: 3 x standard 1/4-inch phone jacks (input, output, tuner out) + - Passive design, the specifications list no power input and no battery + - Full-Rotation Belt-Drive system, variable resistor driven by belt and gear + - Full variable resistor travel, no unusable rotation range + - Belt reinforced with metal wires against loosening and breakage + - Pedal section 5 mm thick aluminium plate, body an aluminium and steel compound chassis + - Dimensions: 90 (W) x 246 (D) x 60 (H) mm (excluding rubber foot height) + - Weight: 1.15 kg + - Accessories: rubber feet, warranty card, Web Access Card + - Patent pending +io: + - key: tNSEI8CC + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: iO1xqABh + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: u3HvJiBM + name: Tuner Out + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/dvl1/DVL-1_manual_e.pdf + type: resource + title: DVL-1H / DVL-1L DIRECT VOLUME Manual +videos: + - provider: youtube + videoId: rPh_azthrsQ + title: DEMO diff --git a/data/hardware/free-the-tone-detail57.yaml b/data/hardware/free-the-tone-detail57.yaml new file mode 100644 index 000000000..e718efff1 --- /dev/null +++ b/data/hardware/free-the-tone-detail57.yaml @@ -0,0 +1,78 @@ +id: 8NCHQR7GxtYJI98BOgcwv +name: PHA-1 +manufacturer: free-the-tone +primaryCategory: analyzer +categories: + - meter + - utility +url: https://www.freethetone.com/en/products/detail57/ +prices: + - amount: 33000 + currency: JPY +description: Phase analyzer that measures whether a device or a chain of effects + units passes signal in phase or out of phase, using a generated test signal in + either a repeated or a continuous measurement mode. Combined with the ARC-4 + Audio Routing Controller it also displays the level of the signal fed to or + output from that unit, and the waveform of the incoming signal. +details: |- + The phase of a sound matters in live performance and in recording. Two signals of the same frequency added in phase produce a higher combined level, while a normal phase and a reverse phase signal at the same frequency cancel and the level drops. The effect is easier to picture as waves meeting on a shore, where parts of the colliding waves become higher, lower or flat. + + To avoid that cancellation it has become standard to output guitar or bass in the same phase as the kick drum, but some combinations of effects units or amplifier channels invert the signal and cancellation happens unintentionally. Out of phase is not always bad, since wah-wah pedals and compressors among others are used for their out of phase character, so what matters is an environment in which the phase can be determined and controlled. + + The PHA-1 offers two measurement methods. In Repeated Measurement mode a test signal is fed into the device under test and its output routed back to the PHA-1, which analyses the returned signal and reports in phase or out of phase. That mode copes with units built on delay elements, such as a phaser, chorus or delay, and with devices whose AD and DA converters or DSP introduce latency. In Continuous Measurement mode the generated test signal is compared against the same timing length of the subject waveform to analyse their phases. + + Two displays round the unit out. Combined with the ARC-4 the PHA-1 shows the level of the signal fed to or output from that controller, and on its own it shows the waveform of the incoming signal, with the displayed magnitude adjustable by the RANGE button. Because the ARC-4 carries a Phase Invert function, a chain the PHA-1 finds out of phase can be flipped back in phase from the controller. + + Power comes from a 9 to 12 V DC external supply or a PP3 9 V battery, and the unit is small at 110 x 53 x 46 mm and about 230 g. The optional KS-EP-1 bracket secures it to the EFS-3 extension footswitch for the ARC-4. +specs: |- + - Terminals: TEST SIGNAL OUT terminal, ANALYZER IN terminal, DC9-12V IN jack, OPTION-2 terminal (DIN 7-pin) + - Power source: AC-DC adaptor or PP3/9V battery, supports 9 to 12 VDC external supply + - Consumption current: approx. 52 mA (9 VDC driven) + - Two measurement modes: Repeated Measurement and Continuous Measurement + - Level meter display when combined with the ARC-4 + - Waveform display with RANGE button to adjust displayed magnitude + - Dimensions: 110 (W) x 53 (D) x 46 (H) mm, including protuberances such as knobs and switches + - Weight: approx. 230 g + - Accessories: warranty card, Web Access Card, PP3/9V battery + - Optional KS-EP-1 bracket secures the PHA-1 to the EFS-3 extension footswitch for the ARC-4 + - Optional RC-7 connection cable (40cm / 50cm / 80cm / 100cm) links the ARC-4 to the EFS-3 or PHA-1 +io: + - key: fCw7a4YT + name: TEST SIGNAL OUT + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: LbvfsVmY + name: ANALYZER IN + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: StFKks8C + name: OPTION-2 + signalFlow: bidirectional + category: digital + type: proprietary + connection: 7-pin din + maxConnections: 1 + position: Right + - key: dIiuUapl + name: DC 9-12V IN + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/pha1/PHA-1_manual_en.pdf + type: resource + title: PHA-1 PHASE ANALYZER Operation Manual + - url: https://www.freethetone.com/upload/en/file/manual/system/efs3/Option_manual_e.pdf + type: resource + title: KS-AE-1/KS-EP-1/KS-LD-1 Installation manual diff --git a/data/hardware/free-the-tone-detail58.yaml b/data/hardware/free-the-tone-detail58.yaml new file mode 100644 index 000000000..25a932fd5 --- /dev/null +++ b/data/hardware/free-the-tone-detail58.yaml @@ -0,0 +1,71 @@ +id: lxObaVNGr2S4BbwS1pYDO +name: PHV-1 +manufacturer: free-the-tone +primaryCategory: pedal +categories: + - utility +url: https://www.freethetone.com/en/products/detail58/ +prices: + - amount: 19000 + currency: JPY +description: The Free The Tone PHV-1 is a device which inverts the signal phase + of an effects unit or amplifier, taking the input signal from in phase to out + of phase or out of phase to in phase. A switchable input impedance and a + remote jack let it sit anywhere in a rig, including under the control of an + ARC Series routing controller. +details: |- + The PHV-1 inverts the signal phase of an effects unit or an amplifier, turning an in phase input out of phase or an out of phase input in phase. Its purpose is to make the phase something a player can manipulate rather than inherit. + + Controlling whether a signal is in phase or out of phase widens the palette. Many wah-wah pedals, compressors and boosters with conventional circuits output an inverted signal and build their sound on that character, while in other situations flipping the same output back in phase gives the better result. Since overlapping sounds always interfere, the useful move is to test both. + + Where an out of phase signal is what is thinning the instrument, the PHV-1 is the way to address it. That matters particularly for bassists who reference a kick drum, since a phase difference arising from a combination of effects units can be a persistent source of stress in playing. + + The maker names three applications: inverting an effects unit's output phase, sitting in an amplifier's send and return where that loop flips the phase, and pairing with a switcher where the phase is not the same between amplifier channels. + + The unit carries three 1/4-inch jacks, IN, OUT and REMOTE, plus a DC 9 V input, and an INPUT Z switch chooses between Hi-Z at 1 Mohm and Lo-Z at 300 kohm. The REMOTE jack takes a control terminal from a Free The Tone ARC Series Audio Routing Controller, so the inversion can be switched from the controller, and a manually operated latch type footswitch can be used instead. No AC adaptor is included in the box. +specs: |- + - Terminals: 3 x 1/4-inch standard phone jacks (IN, OUT, REMOTE), DC9V input jack for connecting an AC adaptor + - Controls: INVERTER ON/OFF switch, INPUT Z select switch (Hi-Z 1 Mohm, Lo-Z 300 kohm) + - Power supply: 9 VDC AC adaptor, not included + - Consumption current: approx. 60 mA + - Dimensions: 93.5 (W) x 54 (D) x 35.5 (H) mm, excluding protrusions such as knobs and switches + - Weight: approx. 180 g + - Accessories: warranty card, Web Access Card + - REMOTE jack accepts an ARC Series control terminal or a latch type footswitch +io: + - key: MWRknASF + name: IN + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Left + - key: XFpLNedX + name: OUT + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: I7zTytjG + name: REMOTE + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: To2SgOxJ + name: DC 9V IN + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/phv1/PHV-1_manual_e.pdf + type: resource + title: PHV-1 PHASE INVERTER Operation Manual diff --git a/data/hardware/free-the-tone-detail60.yaml b/data/hardware/free-the-tone-detail60.yaml new file mode 100644 index 000000000..1610c97fb --- /dev/null +++ b/data/hardware/free-the-tone-detail60.yaml @@ -0,0 +1,124 @@ +id: 46Mi2Tyi5nW9Qz26wbnCm +name: MOTION LOOP ML-1L +manufacturer: free-the-tone +primaryCategory: looper +categories: + - pedal + - multi-effect + - pitch-shifter + - delay +capabilities: + - looper + - sampling + - pitch-shift + - delay + - filter + - reverse + - saturation + - beat-slicing +url: https://www.freethetone.com/en/products/detail60/ +prices: + - amount: 38000 + currency: JPY +description: The MOTION LOOP ML-1L is a short looper that performs short-term + sampling and real-time effect processing such as pitch shift, delay and + filter. +details: |- + The MOTION LOOP is a short looper that performs short-term sampling together with real-time effect processing such as pitch shift, delay and filter. Its real-time processing lets the looper be handled like a musical instrument, and random processing of sampled waveforms can create accidental sounds. + + The main effects implemented in the unit are pitch shift (up or down to two octaves, with adjustable pitch-shift speed), delay with a subdivision function, high-pass and low-pass filtering, a fade curve effect that adjusts the attack of the sound, reverse, soft clipping, loop level (a volume increase or decrease for each repeat of the loop), slowdown (pitch change speed slowed along with lowering of pitch), and random, which divides the waveform randomly and rejoins the split pieces. + + Effect processing runs on a dedicated DSP. A combination of 32-bit fixed point high-speed arithmetic and 32-bit floating point high precision arithmetic is used to satisfy both sound quality and processing speed, and a waveform smoothing process prevents noise caused by discontinuities in spliced waveforms. + + A re-triggering function with per-preset sensitivity adjustment is provided, the knob and expression pedal assignments are configurable in each preset, and setting a BPM lets the loop be manipulated in sync with the beat of the performance. The unit stores 128 user presets alongside 35 factory presets. + + Free The Tone's HTS (Holistic Tonal Solution) circuit performs impedance conversion while drawing out the sound characteristics of the guitar or bass, which the maker describes as achieving both high sound quality and low noise, and which prevents deterioration of the instrument sound even when the effect is off. +specs: |- + - 128 user presets, 35 factory presets + - Input impedance: 1M Ohm + - Output load impedance: min. 10k Ohm + - Max. input level: +10 dBu + - Terminals: 1 x 1/4 inch standard TRS phone jack (input), 3 x 1/4 inch standard TS phone jack (output, EXP/CV/FS), 9 VDC input jack (for AC adaptor), 3.5-mm stereo mini jack (MIDI IN) + - Power supply: 9V DC center negative polarity, or 006P (9V) 6F22 alkaline battery + - Current consumption: approx. 185 mA + - Dimensions: 66 (W) x 125 (D) x 54 (H) mm including protrusions such as jacks + - Weight: approx. 335 g + - Recommended expression pedals: 10k to 25k Ohm types +io: + - key: BCyInHmu + name: Audio Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: VDEVKQTK + name: Audio Output L + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 8QCvZ05o + name: Audio Output R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: t8tFekVj + name: EXP/CV/FS + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 8AoIycQ5 + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 1/8-inch + maxConnections: 1 + position: Right + - key: lb5oTpkO + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/ml1l/ML-1L_Manual_e.pdf + type: resource + title: MOTION LOOP Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/ml1l/ML1L_QS_e.pdf + type: resource + title: MOTION LOOP Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/ml1l/factory_preset_e.pdf + type: resource + title: MOTION LOOP Factory Preset List +videos: + - provider: youtube + videoId: m_Q37ApaVk0 + title: MOTION LOOP ML-1L demo + - provider: youtube + videoId: Ph7YoXntdDs + title: MOTION LOOP ML-1L demo + - provider: youtube + videoId: GNpqc_wWaZc + title: MOTION LOOP ML-1L demo + - provider: youtube + videoId: KpXj2fw3GgQ + title: MOTION LOOP ML-1L demo + - provider: youtube + videoId: tLLmqSXsdzU + title: MOTION LOOP ML-1L demo + - provider: youtube + videoId: jYzbYJ_NJbs + title: MOTION LOOP ML-1L demo diff --git a/data/hardware/free-the-tone-detail62.yaml b/data/hardware/free-the-tone-detail62.yaml new file mode 100644 index 000000000..2d697a169 --- /dev/null +++ b/data/hardware/free-the-tone-detail62.yaml @@ -0,0 +1,104 @@ +id: xGetz8YZbzVy0nb1JfCtM +name: TRI AVATAR TA-2H +manufacturer: free-the-tone +primaryCategory: chorus +categories: + - pedal + - modulation + - effect +capabilities: + - chorus + - stereo-widening +url: https://www.freethetone.com/en/products/detail62/ +prices: + - amount: 45000 + currency: JPY +description: The TRI AVATAR TA-2H is a chorus pedal with four signal paths, + three chorus sounds (three phases) plus one dry signal, mixed in the analog + domain. +details: |- + The TRI AVATAR is a chorus pedal with four signal paths: three chorus sounds (three phases) and one dry signal. In stereo operation the first phase of chorus sound is assigned to the L side, the second phase to the L and R sides, and the third phase to the R side. In monaural operation all three phases are mixed together. + + Mixing three independent chorus sounds adds width and depth to the output. The maker states that problems common to chorus units, such as unintentional pitch changes, sound images with a blurred lower end and noise relating to sweep timing, were addressed by combining its analog and digital technologies. + + Three independent pitch-modulation signal paths and one dry signal path are mixed in the analog domain, and a widening effect characteristic of three-phase choruses is attained by shifting the phase 120 degrees in each modulation path. 24-bit AD/DA converters are used along with Free The Tone's own signal processing and algorithms. + + Compared with the earlier TA-1H, the number of presets rises from four to 128, of which presets 1 to 4 can be recalled on the unit itself and all 128 via a MIDI controller. The HI-CUT control is replaced by a TONE control that cuts bass when turned right and treble when turned left, and the Dry/Wet mix range widens from a 50 percent maximum to the full 0 to 100 percent. The TA-2H also uses the same AD/DA converter as the FLIGHT TIME digital delay. + + RATE or TONE can be controlled in real time from an expression pedal plugged into the EXT terminal. The HTS (Holistic Tonal Solution) circuit manages signals from input to output so that there is no change in sound character when the effect is switched on or off. +specs: |- + - 128 presets, presets 1 to 4 recallable on the unit and all 128 via MIDI + - Input impedance: min. 500k Ohm + - Output load impedance: min. 10k Ohm + - Maximum input level: +7 dBu + - Controls: RATE, TONE, DEPTH L/C/R, DRY MIX, LEVEL + - Terminals: 4 x standard 1/4 inch phone jack (IN, OUT/L (mono), OUT/R, EXT), DIN 5-P IN connector (MIDI IN), DC9V input jack (for connecting AC adapter) + - Power supply: 9V DC center negative polarity + - Current consumption: 150 mA + - Dimensions: 120 x 102.3 x 58.5 mm including protuberances such as footswitches and jacks + - Weight: approx. 380 g (0.84 lbs) excluding accessories + - Three independent pitch-modulation paths with 120 degree phase shift per path + - 24-bit AD/DA converters +io: + - key: uqFOVRZK + name: IN + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 8fKhrzXw + name: OUT/L (mono) + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: N4Xt2z27 + name: OUT/R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: h04yYWQx + name: EXT (Expression Pedal) + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: bYdRPggm + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: 60no67fi + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/TA-2H/TA-2H_Manual_en.pdf + type: resource + title: TRI AVATAR TA-2H Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/TA-2H/TA-2H_QuickStart_en.pdf + type: resource + title: TRI AVATAR Quick Start Guide +videos: + - provider: youtube + videoId: -5silx5jzsk + title: TRI AVATAR TA-2H demo + - provider: youtube + videoId: mfT0n6pmJ_M + title: TRI AVATAR TA-2H demo diff --git a/data/hardware/free-the-tone-detail63.yaml b/data/hardware/free-the-tone-detail63.yaml new file mode 100644 index 000000000..8f87031a7 --- /dev/null +++ b/data/hardware/free-the-tone-detail63.yaml @@ -0,0 +1,72 @@ +id: 6VUtOMJxXf93Ti1TCyJQv +name: SILKY GROOVE SG-1C +manufacturer: free-the-tone +primaryCategory: compressor +categories: + - pedal + - dynamics +capabilities: + - compression +url: https://www.freethetone.com/en/products/detail63/ +prices: + - amount: 27000 + currency: JPY +description: The SILKY GROOVE SG-1C is a compressor pedal for guitar and bass + with a dry mix circuit, based on the SILKY COMP from Free The Tone's Custom + Series. +details: |- + The SILKY GROOVE is a compressor in Free The Tone's standard product line. It is based on the SILKY COMP from the maker's Custom Series, inheriting that unit's sound while adding functions and ease of use, and it newly incorporates a dry mix circuit that guitarists and bassists had asked for. + + The dry mix circuit was designed with the phase relationship between the effect and dry signals in mind, so that the two sounds are not heard separately when mixed together. The mix range runs from a heavily compressed effect sound with no dry signal at all through to a fast, strong signal made up of the dry sound alone. + + Compressors can be difficult to set, so the compression circuit's controls were optimised to make adjustment easier. The ATTACK knob sets the strength of the incoming sound and the SUSTAIN knob varies the depth of compression to control sustain, and both have a gentle curve that prevents rapid changes, so a setting can be found quickly. + + The maker's stated aim is silky-smooth and natural compression that does not impair the true sound characteristics of the guitar or bass or the subtle nuance of plucking and picking, for uses such as precise arpeggios, sharp rhythm tone, solo tones, articulated bass bottom end and slaps. + + The HTS (Holistic Tonal Solution) circuit performs impedance conversion while bringing out the instrument's sound characteristics, and prevents degradation of the guitar or bass timbre even when the effect is switched off. The output signal is in the same phase as the input signal, so there is no phase reversal to allow for. +specs: |- + - Input impedance: min. 500k Ohm + - Output load impedance: min. 10k Ohm + - Controls: SUSTAIN, ATTACK, DRY MIX, LEVEL + - Terminals: 2 x 1/4 inch standard phone jacks (input, output), DC9V input jack (for AC adapter connection) + - Power supply: 9-volt PP3 battery, or 9V DC center negative polarity + - Current consumption: 7 mA + - Dimensions (W x D x H): 72 x 115 x 50 mm including protuberances such as footswitches and jacks + - Weight: approx. 230 g excluding accessories + - Output signal in the same phase as the input signal +io: + - key: 3Jo72Vo2 + name: Audio Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: MIOnux7g + name: Audio Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: erF0wmDX + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/SG-1C/SG-1C_manual_e.pdf + type: resource + title: SILKY GROOVE SG-1C manual +videos: + - provider: youtube + videoId: AWm-0Ys6oQI + title: SILKY GROOVE SG-1C demo + - provider: youtube + videoId: VUWa2bq-_XA + title: SILKY GROOVE SG-1C demo diff --git a/data/hardware/free-the-tone-detail64.yaml b/data/hardware/free-the-tone-detail64.yaml new file mode 100644 index 000000000..60e023073 --- /dev/null +++ b/data/hardware/free-the-tone-detail64.yaml @@ -0,0 +1,74 @@ +id: jvmQjE33dhLq8jr_6MCAL +name: CRUNCHY CHIME CC-1B +manufacturer: free-the-tone +primaryCategory: boost +categories: + - pedal + - equalizer +capabilities: + - boost + - equalization +url: https://www.freethetone.com/en/products/detail64/ +prices: + - amount: 25000 + currency: JPY +description: The CRUNCHY CHIME CC-1B is a booster pedal for guitar and bass with + an equalizer function, offering a boost range of -16 dB to +17 dB. +details: |- + The CRUNCHY CHIME is a booster unit with an equalizer function. Its boost circuit was developed out of the maker's research into the harmonic components of vintage guitars and amplifiers, with the aim of generating rich higher harmonics that are not strident. + + Because every amplifier has different characteristics, a booster can make the lower register sound dull, and ample harmonics sounded muddy on some of the amplifiers used in development when unnecessary harmonic components conflicted with each other. A new equalization circuit was therefore added so that the frequency characteristics can be matched to the rest of the rig, and the maker describes it as making tone adjustments for boost or cut sound natural rather than equalized. The response is flat with both the TREBLE and BASS knobs at the 12 o'clock position. + + A MODE switch selects the boost and cut frequency range of the BASS control, which is useful for the lower register of a 7-string guitar or a bass guitar. Setting both the TREBLE and BASS knobs to the cut position lets the unit work as a MID booster. The boost circuit for volume control covers a range from -16 dB to +17 dB. + + Free The Tone's HTS (Holistic Tonal Solution) circuit performs impedance conversion while bringing out the sound characteristics of the guitar or bass, and prevents degradation of the instrument's timbre even when the effect is switched off. The output signal is in the same phase as the input signal, so there is no phase reversal to allow for. +specs: |- + - Input impedance: min. 500k Ohm + - Output load impedance: min. 10k Ohm + - Controls: BOOST (-16 dB to +17 dB), TREBLE, BASS, MODE switch + - Terminals: 2 x 1/4 inch standard phone jacks (input, output), DC9V input jack (for AC adapter connection) + - Power supply: 9-volt PP3 battery, or 9V DC center negative polarity + - Current consumption: 7 mA + - Dimensions (W x D x H): 72 x 115 x 50 mm including protuberances such as footswitches and jacks + - Weight: approx. 230 g excluding accessories + - Flat response with TREBLE and BASS at the 12 o'clock position + - Output signal in the same phase as the input signal +io: + - key: q31khidD + name: Audio Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: AbNKNut6 + name: Audio Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: MhvhSj7v + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/CC-1B/CC-1B_manual_e.pdf + type: resource + title: CRUNCHY CHIME CC-1B Manual +videos: + - provider: youtube + videoId: 31wTdDsaVYs + title: CRUNCHY CHIME CC-1B demo + - provider: youtube + videoId: 7shnFjVcBWw + title: CRUNCHY CHIME CC-1B demo + - provider: youtube + videoId: f0ySrlM0Hc8 + title: CRUNCHY CHIME CC-1B demo diff --git a/data/hardware/free-the-tone-detail65.yaml b/data/hardware/free-the-tone-detail65.yaml new file mode 100644 index 000000000..ca86f9e4f --- /dev/null +++ b/data/hardware/free-the-tone-detail65.yaml @@ -0,0 +1,69 @@ +id: f1Xo6ouohtl4YEf_lxb5y +name: RED JASPER RJ-2V +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive +url: https://www.freethetone.com/en/products/detail65/ +prices: + - amount: 31000 + currency: JPY +description: The RED JASPER RJ-2V is a low gain overdrive pedal with a passive + HI-CUT tone circuit and a four-position mode switch for low frequency + characteristics. +details: |- + The RED JASPER RJ-2V is the second generation of Free The Tone's low gain drive pedal. The maker describes its sound as resembling that of vintage tube amps, with smooth highs, punchy mids, full but tight lows and a natural compression feel, and says every component was examined and selected to refine it. + + Because the low register output of an overdrive varies with its gain setting and with the guitar, amp and cabinet in use, the RJ-2V adds a mode switch that selects between four different low frequency characteristics, or cut-off frequencies, so the low end can be matched to the rest of the rig. The low end of the bass range is cut progressively from setting A through to setting D, and the factory default is setting C. + + A HI-CUT tone circuit adjusts the higher registers. It is a passive circuit chosen for minimum phase error in the guitar signal, which the maker says gives high-fidelity amplification and keeps the guitar's original timbre; turning the knob counterclockwise cuts highs gently, much like the tone control on a guitar. + + Free The Tone's HTS (Holistic Tonal Solution) circuit performs impedance conversion while bringing out the sound characteristics of the guitar, and prevents degradation of the guitar's timbre even when the effect is switched off. The output signal is in the same phase as the input signal, so there is no phase reversal to allow for. +specs: |- + - Input impedance: min. 390k Ohm + - Output load impedance: min. 10k Ohm + - Controls: LEVEL, HI-CUT and DRIVE knobs + - Mode switch selects low end frequency characteristics from four settings (A to D), factory default setting C + - Terminals: 2 x 1/4 inch standard phone jacks (input, output), DC9V input jack (for AC adapter connection) + - Power supply: 9-volt PP3 battery, or 9V DC center negative polarity + - Current consumption: 11 mA at DC 9V + - Dimensions (D x W x H): 123 x 100 x 53 mm including protuberances such as footswitches and jacks + - Weight: approx. 320 g excluding battery + - Passive type hi-cut tone circuit to minimize phase error + - Output signal in the same phase as the input signal +io: + - key: c0qOdfS9 + name: Audio Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: OgTY32pj + name: Audio Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 6o5EtLbl + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/rj2v/RJ-2V_manual_e.pdf + type: resource + title: RED JASPER RJ-2V manual +videos: + - provider: youtube + videoId: tkwbq9D8Lfw + title: RED JASPER RJ-2V demo diff --git a/data/hardware/free-the-tone-detail66.yaml b/data/hardware/free-the-tone-detail66.yaml new file mode 100644 index 000000000..3649629fb --- /dev/null +++ b/data/hardware/free-the-tone-detail66.yaml @@ -0,0 +1,88 @@ +id: mQkZL7dCU1w9_jGzBn_00 +name: INTEGRATED GATE IG-1N +manufacturer: free-the-tone +primaryCategory: noise-reduction +categories: + - pedal + - noise-gate + - dynamics +capabilities: + - noise-reduction + - gating +url: https://www.freethetone.com/en/products/detail66/ +prices: + - amount: 28000 + currency: JPY +description: The INTEGRATED GATE IG-1N is a noise reduction and noise gate pedal + with a fully analog audio path controlled by a digital signal monitoring + circuit, switchable via MIDI. +details: |- + The INTEGRATED GATE addresses the noise picked up by guitar and bass pickups, which the maker notes has grown with the spread of computers, LED light bulbs, cellular phones and wireless devices. Of the available approaches, such as noise-cancelling pickups, better shielding or a high-cut filter, each changes the instrument's sound; automatically reducing the level of the signal coming out of the instrument was chosen instead as the way to preserve both the sound quality and the natural decay of the instrument's sound. In effect the volume reduction a player would make by hand is performed electronically and at high speed. + + The audio signal line is left in the analog domain rather than being digitized, while the output level is controlled quickly and accurately by a digital circuit, the digitally controlled analog approach Free The Tone also uses in the PA-1Q series programmable analog 10-band EQ and the TRI AVATAR TA-2H. + + Pickup noise becomes more noticeable as string vibration decays, and that decay is not linear but swells and dips as it falls away, which can make conventional gates sound unnatural at the end of a note. A signal monitoring function constantly watches the input signal with a CPU, analysing the input waveforms and controlling the output level accordingly to obtain natural attenuation. + + Two modes are provided. In Noise Reduction mode the circuit gradually reduces the volume once the signal drops below the THRESHOLD setting, and immediately passes a signal above it unchanged. In Noise Gate mode the sound is muted as soon as the volume falls below the threshold, which stops the sound immediately and can be used as a crisp gate effect. An input impedance select switch chooses between Hi-Z and Lo-Z. + + A MIDI IN terminal allows the effect to be switched on and off by MIDI control change messages, which suits use alongside an audio routing controller such as the maker's ARC-4 or ARC-53M without connecting the unit into an effect loop. The HTS (Holistic Tonal Solution) circuit performs impedance conversion while bringing out the instrument's sound characteristics and prevents degradation of the sound even when the effect is off, and the output signal is in the same phase as the input signal. +specs: |- + - Input impedance: 800k Ohm (Hi-Z), 300k Ohm (Lo-Z) + - Output load impedance: min. 10k Ohm + - Max. input level: +15 dBu + - Controls: THRESHOLD, input impedance select switch (Hi-Z/Lo-Z) + - Terminals: 2 x 1/4 inch standard phone jacks (input, output), DC9V input jack (for AC adapter connection), 3.5-mm stereo mini jack (MIDI IN) + - Power supply: 9-volt PP3 battery, or 9V DC center negative polarity + - Current consumption: 35 mA + - Dimensions (D x W x H): 72 x 115 x 50 mm including protuberances such as footswitches and jacks + - Weight: approx. 190 g excluding battery + - Noise Reduction and Noise Gate operating modes + - Effect on and off controllable by MIDI control change number + - Battery life: 15 hours or more with an alkaline battery, 4 hours or more with a manganese battery + - Output signal in the same phase as the input signal +io: + - key: M2Qrjrsm + name: Audio Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: rvMbyuyT + name: Audio Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: AGbF5QqZ + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 1/8-inch + maxConnections: 1 + position: Right + - key: X5fhFbdG + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "1.1" + description: Firmware version 1.1 +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/IG-1N/IG-1N_manual_e.pdf + type: resource + title: INTEGRATED GATE IG-1N Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/IG-1N/IG-1N_FirmwareUpdate_E.pdf + type: resource + title: INTEGRATED GATE Firmware Update Procedure Manual + - url: https://www.freethetone.com/en/support/download/firmware/#product_66 + type: resource + title: INTEGRATED GATE IG-1N firmware download diff --git a/data/hardware/free-the-tone-detail67.yaml b/data/hardware/free-the-tone-detail67.yaml new file mode 100644 index 000000000..8a68f84ca --- /dev/null +++ b/data/hardware/free-the-tone-detail67.yaml @@ -0,0 +1,122 @@ +id: 2AhWDLdSLjrdq9hbbhOET +name: COSMIC WAVE CW-1Y +manufacturer: free-the-tone +primaryCategory: delay +categories: + - pedal + - filter + - effect + - lo-fi +capabilities: + - delay + - filter + - reverse + - equalization + - bit-crush +url: https://www.freethetone.com/en/products/detail67/ +prices: + - amount: 38000 + currency: JPY +description: The COSMIC WAVE CW-1Y is a compact digital delay with multiple + filter functions, a reverse delay and an adjustable output bit depth from 8 to + 24 bits. +details: |- + COSMIC WAVE is a compact digital delay with multiple filter functions. It uses high-speed signal processing on a dedicated DSP together with analog and digital audio circuits, and the maker places its sound quality on a level with its FT-2Y FLIGHT TIME digital delay and FF-1Y FUTURE FACTORY RF phase modulation delay. + + The unit's tone filter can process the delay sound to have a rich tone or, conversely, take it far from the original sound. Several filters can be applied at once, covering the proprietary Cosmic filter, a bandpass filter, a 3-band EQ and a Tone control; the Cosmic filter is the one the maker describes as adding an outer-space character to the delay. A newly developed reverse delay uses a new method intended to produce a smoother, more musical reverse sound. + + The output bit count of the delay sound is adjustable in 1-bit steps, from a smooth 24 bits down to a rough 8 bits that adds distorted noise as the volume drops. That covers the nuances of delay sounds from the 1980s and 1990s as well as bitcrusher-style delay. + + Effect processing runs on a dedicated DSP, combining 32-bit fixed-point high-speed arithmetic with 32-bit floating-point high-precision arithmetic. Delay time can be shown in milliseconds or as BPM, tempo can be tap-entered from the footswitch, and presets 1 and 2 can be switched from the footswitch. A small display improves operability, and the unit holds 128 user presets alongside 11 factory presets. Other functions include a feedback level limit, kill dry, trail on and off, and delay phase inversion. + + The original dry sound travels from input to output as an analog signal and is mixed with the delay sound at an internal analog mixer, so the output keeps the character of the original sound. Free The Tone's HTS (Holistic Tonal Solution) circuit performs impedance conversion while drawing out the sound characteristics of the guitar or bass, and prevents deterioration of the instrument sound even when the effect is off. +specs: |- + - 128 user presets, 11 factory presets + - Input impedance: 1M Ohm + - Output load impedance: min. 10k Ohm + - Max. input level: +10 dBm + - Terminals: 1 x 1/4 inch standard TRS phone jack (IN (TRS)), 3 x 1/4 inch standard TS phone jacks (OUT/L, OUT/R, EXP/CV/FS), DC9V input jack (for AC-DC adapter), 3.5-mm stereo mini phone jack (MIDI IN) + - Power supply: 9V DC center negative polarity, or 006P (9V) 6F22 alkaline battery + - Current consumption: approx. 185 mA + - Dimensions: 66 (W) x 125 (D) x 54 (H) mm including protuberances such as jacks + - Weight: approx. 335 g + - Multiple simultaneous filters: Cosmic Filter, Bandpass Filter, 3-Band EQ, Tone + - Output bit number adjustment from 8 to 24 bits + - Delay time shown in milliseconds or BPM, with tap tempo from the footswitch + - Feedback level limit, kill dry, trail on/off and delay phase inversion functions + - Dry signal stays analog from input to output and is mixed with the delay at an internal analog mixer +io: + - key: kL8it4iC + name: IN (TRS) + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: T94MBaWy + name: OUT/L + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uSYPj8VT + name: OUT/R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 8EpYrHSL + name: EXP/CV/FS + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: BbkE6Zx1 + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 1/8-inch + maxConnections: 1 + position: Right + - key: BtKytqg9 + name: DC 9V Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +versions: + - name: "1.1" + description: Firmware version 1.1 +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/cw1y/CW-1Y_Manual_e.pdf + type: resource + title: COSMIC WAVE Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/cw1y/CW-1Y_FirmwareUpdate_E.pdf + type: resource + title: COSMIC WAVE Firmware Update Procedure Manual + - url: https://www.freethetone.com/en/support/download/firmware/#product_67 + type: resource + title: COSMIC WAVE CW-1Y firmware download +videos: + - provider: youtube + videoId: 1LSWfKkYmro + title: COSMIC WAVE CW-1Y demo + - provider: youtube + videoId: vhmaL9p4QtQ + title: COSMIC WAVE CW-1Y demo + - provider: youtube + videoId: c8YsmXszx1k + title: COSMIC WAVE CW-1Y demo + - provider: youtube + videoId: PvYC2U9E3hE + title: COSMIC WAVE CW-1Y demo diff --git a/data/hardware/free-the-tone-detail69.yaml b/data/hardware/free-the-tone-detail69.yaml new file mode 100644 index 000000000..3c228ea01 --- /dev/null +++ b/data/hardware/free-the-tone-detail69.yaml @@ -0,0 +1,67 @@ +id: CAZJ-P8_-BQG8q8VB2sUO +name: SOV-2-CS +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive +url: https://www.freethetone.com/en/products/detail69/ +prices: + - amount: 40000 + currency: JPY +description: A Custom Shop revival of the SOV-2 overdrive, whose internal DC-DC + converter boosts the 9 Vdc input to plus/minus 15 Vdc to give the signal + circuit an overwhelming dynamic range and the soft harmonics of a vacuum tube. +details: |- + Free The Tone's SOV overdrive evolved over twenty years and attracted a great many guitarists. Of its several variations, the final form, the CUSTOM SERIES SOV-2, went out of production in 2018, much to the regret of many. Five years later, with the SOV-3 still in development after a long period of work, the decision was made to revive the SOV-2 by producing a small quantity and selling it through the Free The Tone Custom Shop. + + The SOV-2 overdrive adopts a high-performance DC-DC converter in its internal power circuit, boosting the 9 Vdc input to plus/minus 15 Vdc to supply and operate the signal circuit. That allows an overwhelming dynamic range, reproducing the sound and character of the guitar, delicate picking nuances and hand touch as differences in tone while a natural drive is applied. The pedal reproduces the soft harmonics and rich drive sound that vacuum tubes possess. + + Although the SOV-2 uses no vacuum tubes, several years of work went into designing it to reach the soft harmonics and dynamics of a tube amplifier, and the power circuit came first. Raising the supply voltage is effective in achieving those dynamics, and while a power transformer is one method it is expensive and impractical inside a small die-cast case, so a high-performance DC-DC converter was used instead. A powerful filter circuit was added to reduce the power-line noise caused by the converter's oscillation circuit, because the power circuit directly affects sound quality. + + Optimizing the signal path came next. A considerable number of prototypes were built to get closer to the intended sound, which is why the SOV-2 took several years to complete. The result matches not only Marshall and Fender amplifiers but many boutique amplifiers too, and the designer recommends combining it with other overdrive pedals to widen its range of sounds. + + The appearance of the SOV-2-CS is finished to specifications designed for musicians. The die-cast case is unpainted and the lettering and other markings are printed on labels and attached by hand one at a time. Inside the back cover of each unit is a handwritten signature by the developer, Yukihiro Hayashi. Because current consumption is relatively large at approximately 90 mA, an AC adapter is recommended over a battery. +specs: |- + - Input impedance: 1 MOhm + - Output load impedance: min. 10 kOhm + - Controls: DRIVE, TONE, LEVEL + - Terminals: 2x 1/4-inch phone jacks (for input and output), 1x DC9V input jack (for AC adapter) + - Power supply: 9-volt battery (PP3/006P) or AC adapter + - Current consumption: approx. 90 mA + - Internal plus/minus 15 Vdc rail from a high-performance DC-DC converter + - Dimensions: 72W x 115D x 50H mm (incl. protuberances such as footswitches, jacks, etc.) + - Weight: approx. 225 g (excl. battery) + - Unpainted die-cast case with hand-applied label markings and a handwritten developer signature inside the back cover + - Accessories: warranty card, manual, 4x rubber feet +io: + - key: QvBSDfzs + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ecrMC5xa + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: F3uUW9fe + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/SOV-2-CS/SOV-2-CS_e.pdf + type: resource + title: SOV-2-CS Overdrive Manual diff --git a/data/hardware/free-the-tone-detail70.yaml b/data/hardware/free-the-tone-detail70.yaml new file mode 100644 index 000000000..692464ae2 --- /dev/null +++ b/data/hardware/free-the-tone-detail70.yaml @@ -0,0 +1,71 @@ +id: Fyk7h5ODwFwx2ZF-96X4X +name: Silky Comp SC-1-CS +manufacturer: free-the-tone +primaryCategory: compressor +categories: + - pedal + - effect + - dynamics +capabilities: + - compression + - limiting +url: https://www.freethetone.com/en/products/detail70/ +prices: + - amount: 36000 + currency: JPY +description: A Custom Shop limited production of the SILKY COMP SC-1, a + compressor pedal whose special soldering process gives it a natural, glossy + silky smooth sound, with an ATTACK control that reaches limiter territory at + its highest setting. +details: |- + As its name suggests, the SILKY COMP SC-1 was known for a silky smooth sound and for its playability, and it went out of production in 2018. The SILKY name then passed to SILKY GROOVE and the compressor was reborn with a sound matched to modern music, but many players asked for the original back, since its compressor sound cannot be replicated by any other pedal. In answer, a limited production of the SILKY COMP SC-1 is released through the Free The Tone Custom Shop. + + SILKY COMP achieved a special, natural and glossy silky smooth sound that revolutionized the concept of compressor pedals, through a unique soldering method used during printed circuit board assembly. It produces a flowing, natural connection between notes in arpeggios and a sharp groove in cutting. The ATTACK control allows a wide range of sound-making, and turned fully clockwise it lets the pedal work as a limiter. + + Effect on and off switching uses a special true bypass method in which the signal passes through only one circuit of the switch when the pedal is bypassed. + + Development began with the goal of a compressor that could produce sharpness and groove in clean cutting. Creating groove with a compressor needs a musically superior attack speed and release time, and the design was referenced against recording equipment such as the NEVE 33609, with attention to how the guitar sounds different depending on the release time setting. It is a subtle area, but release time is a crucial element in a band sound, and trial and error eventually found a satisfactory point. + + For sound quality the aim was the smooth, glossy tone the name promises. Solder and parts were changed in many ways without a satisfying result until a special board manufacturing method was discovered; the details are proprietary and the process is time consuming, which limits production volume, but it cannot be omitted. The SC-1-CS is finished with an appearance designed for musicians: the die-cast case is unpainted, the characters and other markings are printed on labels and attached by hand individually, and each unit carries a handwritten signature by the developer, Yukihiro Hayashi, inside the back cover. +specs: |- + - Input impedance: 330 kOhm + - Output load impedance: min. 200 kOhm + - Controls: SUSTAIN, ATTACK, LEVEL + - ATTACK turned fully clockwise allows use as a limiter + - Special true-bypass method in which the signal goes through only one line when the switch is in Bypass mode + - Terminals: 2x 1/4-inch phone jack (for input and output), 1x DC9V input jack (for AC adapter) + - Power supply: 9-volt battery (PP3/006P) or AC adapter + - Current consumption: approx. 4 mA + - Dimensions: 115D x 72W x 50H mm (incl. protuberances such as footswitches, jacks, etc.) + - Weight: approx. 215 g (excl. battery) + - Unpainted die-cast case with hand-applied label markings and a handwritten developer signature inside the back cover + - Accessories: warranty card, manual, 4x rubber feet +io: + - key: fovLoyyM + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ldE6386m + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: CL41F5o7 + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/SC-1-CS/SC-1-CS_e.pdf + type: resource + title: SC-1-CS Silky Comp Manual diff --git a/data/hardware/free-the-tone-detail72.yaml b/data/hardware/free-the-tone-detail72.yaml new file mode 100644 index 000000000..356f63ee2 --- /dev/null +++ b/data/hardware/free-the-tone-detail72.yaml @@ -0,0 +1,77 @@ +id: zBSjDrWsOXzIQ27geEtux +name: OVERDRIVELAND ODL-1 +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive + - equalization +url: https://www.freethetone.com/en/products/detail72/ +prices: + - amount: 44000 + currency: JPY +description: A two-channel overdrive pedal built to be as lustrous and + distinctive as the elusive DUMBLE amplifiers, pairing a clean-to-crunch Normal + channel with a dedicated drive circuit module and an internal boost supply. +details: |- + OVERDRIVELAND was born to be as lustrous and distinctive as the elusive DUMBLE amplifiers that are now hard to come by, so that players can express their own personalities through it. Free The Tone's founder and designer, Yuki Hayashi, spent more than twenty years maintaining and repairing DUMBLE amplifiers and owned several himself. Those amplifiers are known for harmonics that can make even a clean sound seem slightly distorted, and for a drive sound that responds to a player as though the amplifier had intentions of its own. Capturing that feel in a pedal-sized overdrive is what started the development. + + For the fundamental circuit, the Normal channel, the designer chose to use no clipping diodes and no LEDs, because they made the intended harmonic components hard to achieve. Raising the GAIN on the Normal channel brings in gradual distortion, and even below the twelve o'clock position the clean sound still carries rich harmonic content. After that basic circuit came a newly developed dedicated drive circuit module, built to respond finely to the signal coming out of the guitar; the standard version and the Custom Shop version use different modules to bring out their respective characters. + + The pedal is two sections. When the Normal channel is selected the signal passes through the Normal channel circuit, which contains the TONE circuit with its EQ ON/GLASS switch and the gain shaping of the ROCK/JAZZ switch. EQ ON activates the TONE circuit, while GLASS bypasses it for a glassy tone reminiscent of a Blackface Fender Vibroverb with the Bright switch engaged. ROCK raises gain while slightly reducing it in the low range so the amplifier's input stage is not overdriven by excessive low end; JAZZ lowers overall gain and brings out richness in the low frequencies. + + When the Drive channel is selected the Drive circuit is added in front of the Normal channel, so the signal order from the input is drive circuit, Normal channel circuit, output circuit. The Drive circuit carries a HI-CUT filter for setting high-frequency character, and the PUSH control sets how much signal the Drive circuit sends into the Normal channel input, which is what controls perceived volume. NOR LEVEL and DRV LEVEL set the volume of each channel independently. + + A power supply boost circuit can raise the voltage feeding the analogue circuit from DC9V to a maximum of DC19V, and the switch chooses between the external DC9V input and Int.PS, the internal boost at DC14.5V on this standard version. Changing that voltage moves the clipping point: lower voltage lowers the clipping level and gives long sustain, higher voltage raises it for a sound that cuts through. The HTS (Holistic Tonal Solution) circuit, unlike a traditional buffer, converts impedance while preserving the guitar's character, keeps sound quality intact when the effect is off, and keeps the output in phase with the input. Current consumption is 95 mA at DC9V, but a significant inrush current flows at power-on, so Free The Tone recommends a supply able to deliver 200 mA or more. +specs: |- + - Input impedance: 500 kOhm or higher + - Output load impedance: 10 kOhm or higher + - Controls: NOR LEVEL, DRV LEVEL, TONE, GAIN, PUSH, HI CUT, DRIVE, EQ ON/GLASS switch, ROCK/JAZZ switch, DC9V/Int.PS switching switch + - Connectors: 1/4-inch standard phone jacks (input, output), DC9V input jack (AC adapter jack) + - Power supply: DC9V battery (9V type 006P) or AC adapter + - Current consumption: DC9V 95 mA (use a power supply able to deliver 200 mA or more, because a significant inrush current flows at power-on) + - Internal boost supply raises the analogue circuit voltage from DC9V to DC14.5V on the Int.PS setting + - HTS (Holistic Tonal Solution) circuit, output in phase with the input + - Size: 97D x 120W x 51H mm (including protrusions like footswitches and jacks) + - Weight: approx. 350 g (excluding battery) + - Accessories: warranty card, website access card, safety precaution, 4x rubber feet +io: + - key: r7iMLhb1 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: FdCJT5Th + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: IUAL1x8O + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/file/en/manual/effects/ODL_1/Manual_ODL_1_ver_1_1_ENG.pdf + type: resource + title: OVERDRIVELAND ODL-1 Manual +videos: + - provider: youtube + videoId: s6bHTTbzadw + - provider: youtube + videoId: lRE2jQKIhlI + - provider: youtube + videoId: dY7Tcyvx0xQ + - provider: youtube + videoId: LqzQ3pH6lKg diff --git a/data/hardware/free-the-tone-detail73.yaml b/data/hardware/free-the-tone-detail73.yaml new file mode 100644 index 000000000..64eb56aed --- /dev/null +++ b/data/hardware/free-the-tone-detail73.yaml @@ -0,0 +1,77 @@ +id: w69k6unsgOP0Yc-CSeg2c +name: OVERDRIVELAND ODL-1-CS +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive + - equalization +url: https://www.freethetone.com/en/products/detail73/ +prices: + - amount: 57000 + currency: JPY +description: The Custom Shop OVERDRIVELAND, in a laser-engraved solid die-cast + case, with custom drive modules that respond more sensitively to input signals + and an internal boost supply adjustable from DC10V to 19V. +details: |- + OVERDRIVELAND was born to be as lustrous and distinctive as the elusive DUMBLE amplifiers that are now hard to come by, so that players can express their own personalities through it. The ODL-1-CS is the Custom Shop build: the unit features a solid die-cast case with laser engraving, and each one carries a unique, rugged surface finish. Free The Tone's founder and designer, Yuki Hayashi, spent over twenty years maintaining and repairing DUMBLE amplifiers and owned several himself, and capturing their harmonics and their response to a player's hands in a pedal-sized overdrive is what started the development. + + For the fundamental circuit, the Normal channel, no clipping diodes and no LEDs are used, because they made the intended harmonic components hard to achieve. Raising GAIN brings in gradual distortion, and even below the twelve o'clock position the clean sound carries rich harmonic content. A dedicated drive circuit module responds finely to the signal from the guitar, and for the Custom Shop version custom modules are used with different components from the standard version in order to respond more sensitively to input signals. + + The pedal is two sections. The Normal channel circuit holds the TONE circuit with its EQ ON/GLASS switch and the gain shaping of the ROCK/JAZZ switch. EQ ON activates the TONE circuit, while GLASS bypasses it for a glassy tone reminiscent of a Blackface Fender Vibroverb with the Bright switch engaged. ROCK raises gain while slightly reducing it in the low range so the amplifier's input stage is not overdriven by excessive low end; JAZZ lowers overall gain and brings out richness in the low frequencies. + + Selecting the Drive channel adds the Drive circuit in front of the Normal channel, so the order from the input is drive circuit, Normal channel circuit, output circuit. The Drive circuit carries a HI-CUT filter for high-frequency character, and the PUSH control sets how much signal it sends into the Normal channel input, which is what controls perceived volume. NOR LEVEL and DRV LEVEL set each channel's volume independently. + + On this version the voltage supplied to the audio circuit can be adjusted smoothly from DC10V to 19V with a trim control, and changing it moves the clipping point for dramatic variations in the drive sound. The pedal can also run from a 9 V battery, in which case the power switch should be set to the DC9V side, because the internal boost circuit consumes more power and would deplete a battery more quickly on the VARI setting. Whatever the setting, a DC9V adapter is the one to connect, and because a large inrush current flows at power-on, Free The Tone recommends a supply able to deliver 200 mA or more. +specs: |- + - Input impedance: 500 kOhm or higher + - Output load impedance: 10 kOhm or higher + - Controls: NOR LEVEL, DRV LEVEL, TONE, GAIN, PUSH, HI CUT, DRIVE, EQ ON/GLASS switch, ROCK/JAZZ switch, DC9V/VARIABLE switching switch, voltage adjustment trim + - Connectors: 1/4-inch standard phone jacks (input, output), DC9V input jack (AC adapter jack) + - Power supply: AC adapter + - Current consumption: DC9V 95 mA (use a power supply able to deliver 200 mA or more, because a significant inrush current flows at power-on) + - Internal boost supply continuously adjustable from DC10V to DC19V on the VARI setting + - Custom modules with different components from the standard version, for more sensitive response to input signals + - Solid die-cast case with laser engraving and a unique surface finish on each unit + - HTS (Holistic Tonal Solution) circuit, output in phase with the input + - Size: 97D x 120W x 51H mm (including protrusions like footswitches and jacks) + - Weight: approx. 420 g (excluding battery) + - Accessories: warranty card, website access card, safety precaution, 4x rubber feet +io: + - key: 6f1GRDeX + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 0m6kIzs1 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ufLOWDID + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/file/manual/customshop/odl1cs/Manual_ODL_1_CS_ver_1_2_ENG.pdf + type: resource + title: OVERDRIVELAND ODL-1-CS Manual +videos: + - provider: youtube + videoId: s6bHTTbzadw + - provider: youtube + videoId: UBl3Mz7jyQk + - provider: youtube + videoId: uMD-JSm5RQs diff --git a/data/hardware/free-the-tone-detail74.yaml b/data/hardware/free-the-tone-detail74.yaml new file mode 100644 index 000000000..374183fa0 --- /dev/null +++ b/data/hardware/free-the-tone-detail74.yaml @@ -0,0 +1,86 @@ +id: BcJnqOwzPVoGdCj9A-YKs +name: JB-21B +manufacturer: free-the-tone +primaryCategory: patch-bay +categories: + - routing + - utility +url: https://www.freethetone.com/en/products/detail74/ +prices: + - amount: 17000 + currency: JPY +description: A signal junction box that collects the inputs and outputs of a + pedalboard or rack into one place, carrying four 1/4-inch mono phone jacks and + two 7-pin DIN connectors for MIDI cables and ARC series link connections. +details: |- + Signal junction boxes are the products Free The Tone has custom-made the most. They are simple devices for connecting cables, but a great many musicians use them on their pedalboards or in their racks, and to provide the highest sound quality and the best user-friendliness Free The Tone brings to them the expertise gathered over more than twenty years of designing and building custom products. Collecting the inputs and outputs of a pedalboard into one place is what they are for. + + Wiring between devices is simplified and setup time is shortened. Damage to cables and plugs is reduced, because the junction box is the interface that gets plugged and unplugged rather than the effects units themselves, which sit packed into a narrow space inside a pedalboard. Depending on where the product is positioned, the INPUT jack on either side can be used as the input. + + Alongside the phone jacks, DIN connectors are available. A 7-pin DIN connector provides support for MIDI cables and for LINK connections to the ARC series, so a routing controller's link can pass through the same interface as the audio lines. + + The JB-21B carries four standard 1/4-inch mono phone jacks and two 7-pin DIN connectors, measures 100 by 62 by 34 mm including protuberances such as jacks, and weighs approximately 240 g excluding accessories. It is entirely passive, with no power supply and no DC input jack. + + Two specification changes were made in response to the trend toward smaller pedalboards, where effects pedals and tuners are increasingly placed on top of the junction box. Terminal name labelling changed to silk-screen printing across the JB-21B, JB-41C and JB-82C, because the previous labels risked peeling when hook-and-loop fasteners were attached and detached from the top. The JB-41C was also lowered in height, from 56 mm to 34 mm, to suit devices sitting on top of it. +specs: |- + - Terminals: 4x standard 1/4-inch phone jacks (mono), 2x DIN 7-pin connectors (for linking MIDI/ARC Series) + - Passive unit: no power supply and no DC input jack + - Either side's jack can be used as the input, depending on how the unit is positioned + - 7-pin DIN connectors support MIDI cables and LINK connections for the ARC series + - Terminal name labelling by silk-screen printing, so labels cannot peel when hook-and-loop fasteners are removed from the top + - Dimensions: 100W x 62D x 34H mm (incl. protuberances such as jacks) + - Weight: approx. 240 g (excl. accessories) + - Accessories: warranty card, Web Access Card +io: + - key: QjyUBd7B + name: Line 1 Jack (side A) + signalFlow: bidirectional + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Left + - key: exVhxvus + name: Line 1 Jack (side B) + signalFlow: bidirectional + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Tdh4Cl2E + name: Line 2 Jack (side A) + signalFlow: bidirectional + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Left + - key: sUiVLMWr + name: Line 2 Jack (side B) + signalFlow: bidirectional + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 2ZSgpXGY + name: Link Connector (side A, MIDI / ARC Series) + signalFlow: bidirectional + category: midi + type: midi + connection: 7-pin din + maxConnections: 1 + position: Left + - key: o1JfKKFc + name: Link Connector (side B, MIDI / ARC Series) + signalFlow: bidirectional + category: midi + type: midi + connection: 7-pin din + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/junction/JB-21B_Manual_ver_1_0_ENG.pdf + type: resource + title: JUNCTION BOX JB-21B Manual diff --git a/data/hardware/free-the-tone-detail77.yaml b/data/hardware/free-the-tone-detail77.yaml new file mode 100644 index 000000000..1d699d8b9 --- /dev/null +++ b/data/hardware/free-the-tone-detail77.yaml @@ -0,0 +1,86 @@ +id: BWrmgwSVHvTTDsmtw1Zi7 +name: OVERDRIVELAND ODL-1A-CS +manufacturer: free-the-tone +primaryCategory: overdrive +categories: + - pedal + - effect +capabilities: + - overdrive + - equalization +url: https://www.freethetone.com/en/products/detail77/ +prices: + - amount: 62000 + currency: JPY +description: A modified ODL-1-CS that keeps the original sound and adds a + CH.CONT channel control terminal, so the NORMAL and DRIVE channels can be + switched from an external latch-type switch or an ARC series control terminal. +details: |- + The ODL-1A-CS is a modified version of the ODL-1-CS that maintains its original sound while adding a channel control terminal, so a player can switch between the NORMAL and DRIVE channels with an external switch. Laser processing is applied to a die-cast case finished with hammertone paint, which creates a subtly different textured pattern on every unit and a finish that is both strong and durable. + + OVERDRIVELAND was born to be as lustrous and distinctive as the elusive DUMBLE amplifiers that are now hard to come by. Free The Tone's founder and designer, Yuki Hayashi, spent more than twenty years maintaining and repairing those amplifiers and owned several himself, and capturing their harmonics and their response to a player's hands in a pedal-sized overdrive is what started the development. The Normal channel uses no clipping diodes and no LEDs, because they made the intended harmonic components hard to achieve, and the Custom Shop build uses custom modules with different components from the standard version in order to respond more sensitively to input signals. + + The pedal is two sections. The Normal channel circuit holds the TONE circuit with its EQ ON/GLASS switch and the gain shaping of the ROCK/JAZZ switch. EQ ON activates the TONE circuit, while GLASS bypasses it for a glassy tone reminiscent of a Blackface Fender Vibroverb with the Bright switch engaged. ROCK raises gain while slightly reducing it in the low range so the amplifier's input stage is not overdriven by excessive low end; JAZZ lowers overall gain and brings out richness in the low frequencies. Selecting the Drive channel places the Drive circuit, with its HI-CUT filter and PUSH control, in front of the Normal channel, and NOR LEVEL and DRV LEVEL set each channel's volume independently. + + Connecting an ARC series control terminal or a latch-type footswitch to the CH.CONT terminal switches NORMAL and DRIVE without pressing the unit's own footswitch. While a plug is inserted into CH.CONT, channel switching from the unit's footswitch is disabled. + + The voltage supplied to the audio circuit is adjustable smoothly from DC10V to 19V, and changing it moves the clipping point for dramatic variations in the drive sound. The ODL-1A-CS cannot be operated on batteries because of its high current consumption, so it must be run from an AC adapter connected to the DC9V input terminal, with a stabilized DC9V output and centre-negative polarity. Current consumption is 120 mA at DC9V, but a large inrush current flows at power-on, so the adapter should be able to supply 200 mA or more. +specs: |- + - Input impedance: 500 kOhm or higher + - Output load impedance: 10 kOhm or higher + - Controls: NOR LEVEL, DRV LEVEL, TONE, GAIN, PUSH, HI CUT, DRIVE, EQ ON/GLASS switch, ROCK/JAZZ switch, DC9V/VARIABLE switching switch, voltage adjustment trim + - Connectors: 1/4-inch standard phone jacks (input, output, CH.CONT), DC9V input jack (AC adapter jack) + - CH.CONT terminal accepts an ARC series control terminal or a latch-type footswitch for NORMAL/DRIVE channel switching; with a plug inserted, the unit's own footswitch no longer switches channels + - Power supply: AC adapter only, stabilized DC9V with centre-negative polarity; battery operation is not possible + - Current consumption: DC9V 120 mA (use an adapter able to supply 200 mA or more, because a large inrush current flows at power-on) + - Internal boost supply continuously adjustable from DC10V to DC19V + - Custom modules with different components from the standard version, for more sensitive response to input signals + - Die-cast case finished with hammertone paint and laser-processed lettering + - HTS (Holistic Tonal Solution) circuit, output in phase with the input + - Size: 97D x 123W x 51H mm (including protrusions like footswitches and jacks) + - Weight: approx. 420 g + - Accessories: warranty card, website access card, safety precaution, 4x rubber feet +io: + - key: tRuTSmZA + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wTYsqDcu + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: MAGWxIAC + name: CH.CONT (channel control) + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ZSW8nYsR + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/file/manual/customshop/ODL_1A_CS/Manual_ODL_1A_CS_ver_1_0_ENG.pdf + type: resource + title: OVERDRIVELAND ODL-1A-CS Manual +videos: + - provider: youtube + videoId: s6bHTTbzadw + - provider: youtube + videoId: UBl3Mz7jyQk + - provider: youtube + videoId: uMD-JSm5RQs diff --git a/data/hardware/free-the-tone-detail9.yaml b/data/hardware/free-the-tone-detail9.yaml new file mode 100644 index 000000000..537090282 --- /dev/null +++ b/data/hardware/free-the-tone-detail9.yaml @@ -0,0 +1,111 @@ +id: 3mjjFD3SEgXG94pNf1jyx +name: PT-3D +manufacturer: free-the-tone +primaryCategory: power-conditioner +categories: + - utility +url: https://www.freethetone.com/en/products/detail9/ +prices: + - amount: 26000 + currency: JPY +description: A light, compact pedalboard power supply with two completely + independent isolated output terminals (9 VDC/500 mA) and six low-noise + standard output terminals (9 VDC/100 mA), able to power up to eight lines. +details: |- + Although it is light and compact, the PT-3D furnishes two completely independent isolated output terminals (9 VDC/500 mA) and six low-noise standard output terminals (9 VDC/100 mA), so it can power up to eight lines from one unit. Like the other PT series products, rigidity and lightness are attained by making the housing from a Japanese-made aluminium alloy used in aircraft parts. + + The isolated output terminals can supply current higher than 1 A momentarily, which some digital effects units require on boot. After the units have booted, the PT-3D continues to supply the required amperage stably up to 500 mA. That makes a 9 VDC supply applicable to high-current effects units such as the DigiTech WHAMMY DT and WHAMMY 5, the Eventide TIME FACTOR, MOD FACTOR, PITCH FACTOR, SPACE and H9, the LINE6 DL4, MM4 and FM4, and the Strymon TIMELINE and MOBIUS. + + Each 9 VDC output is stabilized and feeds the effects unit through its own noise filter and short-circuit protection circuit. The noise level of the low-noise standard outputs is greatly reduced by a two-step noise filter, and their output voltage is set to approximately 9.8 VDC to reproduce the condition of power coming from a brand-new battery. + + Because the two isolated output terminals are completely independent of each other and electrically insulated, no ground loop noise occurs between them, and external digital noise arriving over the mains supply lines is rejected. The isolated terminals can also be used with a polarity reversing cable for a pedal driven from minus 9 V, which the low-noise standard terminals cannot do. + + The unit measures 120 by 55 by 35 mm excluding rubber feet and weighs approximately 185 g excluding accessories. It ships with a warranty card, a manual, four 30 cm and four 50 cm DC cables and an AC adapter. The supplied DC cables do not fit Eventide or LINE6 units, which need the Free The Tone CP-R25CV conversion cable or a suitable cable of the customer's own. +specs: |- + - 2x stabilized 9 VDC isolated output terminals (at max. 500 mA) + - 6x stabilized 9 VDC low-noise standard output terminals (at max. 100 mA) + - Low-noise standard output voltage set to approximately 9.8 VDC + - Short-circuit protection circuit in each output + - Isolated outputs can momentarily supply more than 1 A + - Housing of Japanese-made aircraft-grade aluminium alloy + - Dimensions: 120W x 55D x 35H mm (excl. rubber feet) + - Weight: approx. 185 g (excl. accessories) + - Accessories: warranty card, manual, 4x DC cables (L = 30 cm, L/L), 4x DC cables (L = 50 cm, L/L), 1x AC adapter (FA-1220D-JA/UK/EU) + - Supplied DC cables are not applicable to Eventide or LINE6 units; the FREE THE TONE CP-R25CV conversion cable covers Eventide TIME FACTOR, MOD FACTOR, PITCH FACTOR and SPACE and LINE6 DL4, MM4 and FM4 +io: + - key: fJNPWZ2A + name: DC Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: Bqivu99L + name: Isolated Output 1 (9 VDC, max. 500 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: e0W7ftMN + name: Isolated Output 2 (9 VDC, max. 500 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: K3hqDvPC + name: Low-Noise Standard Output 1 (9 VDC, max. 100 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: jblQdHnX + name: Low-Noise Standard Output 2 (9 VDC, max. 100 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: do4bwiVd + name: Low-Noise Standard Output 3 (9 VDC, max. 100 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: 2ZBBy4lK + name: Low-Noise Standard Output 4 (9 VDC, max. 100 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: 66F8T2E3 + name: Low-Noise Standard Output 5 (9 VDC, max. 100 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right + - key: bkf8KUMa + name: Low-Noise Standard Output 6 (9 VDC, max. 100 mA) + signalFlow: output + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/system/pt/PT-3D_Manual.pdf + type: resource + title: PT-3D DC POWER SUPPLY Manual From d3a55758dc778c5a6617d37332fa50b6c8b62cc5 Mon Sep 17 00:00:00 2001 From: Claude Date: Mon, 9 Nov 2026 12:56:16 +0000 Subject: [PATCH 2/4] fix(data): correct ARC-53M and ARC-4 io jacks Merge C1/C2 into one TRS jack, add the missing IN, TUNER, separate-loop IN/OUT and EXT/E4 jacks per the maker manuals. Co-Authored-By: Claude --- data/hardware/free-the-tone-detail4.yaml | 44 +++++++++++++++++++--- data/hardware/free-the-tone-detail53.yaml | 46 +++++++++++++++++++---- 2 files changed, 77 insertions(+), 13 deletions(-) diff --git a/data/hardware/free-the-tone-detail4.yaml b/data/hardware/free-the-tone-detail4.yaml index 6c00a28e5..730566b88 100644 --- a/data/hardware/free-the-tone-detail4.yaml +++ b/data/hardware/free-the-tone-detail4.yaml @@ -42,6 +42,14 @@ io: connection: 1/4-inch maxConnections: 1 position: Right + - key: ybXrkMsN + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right - key: 09y6Aitx name: Output signalFlow: output @@ -50,6 +58,14 @@ io: connection: 1/4-inch maxConnections: 1 position: Right + - key: 5LFd9K0j + name: Tuner Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right - key: FpUasBu2 name: Loop 1 Send signalFlow: output @@ -130,16 +146,24 @@ io: connection: 1/4-inch maxConnections: 1 position: Right - - key: wTCdMJhT - name: Control Terminal 1 + - key: vAhsItDS + name: Separate Loop Input + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 6wu5LY2d + name: Separate Loop Output signalFlow: output category: audio - type: expression + type: line connection: 1/4-inch maxConnections: 1 position: Right - - key: 9cvORtEE - name: Control Terminal 2 + - key: wTCdMJhT + name: Control Terminal C1/C2 signalFlow: output category: audio type: expression @@ -147,13 +171,21 @@ io: maxConnections: 1 position: Right - key: xJYTpy6r - name: Control Terminal 3 + name: Control Terminal C3 signalFlow: output category: audio type: expression connection: 1/4-inch maxConnections: 1 position: Right + - key: nkuLJ6rb + name: External Switch Input + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right - key: R5whSscG name: MIDI In signalFlow: input diff --git a/data/hardware/free-the-tone-detail53.yaml b/data/hardware/free-the-tone-detail53.yaml index b82156221..2f67cf82b 100644 --- a/data/hardware/free-the-tone-detail53.yaml +++ b/data/hardware/free-the-tone-detail53.yaml @@ -49,6 +49,22 @@ io: connection: 1/4-inch maxConnections: 1 position: Right + - key: oFc26Zht + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: yaDCTr5Q + name: Tuner Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right - key: M9aHnOUJ name: HTS-OUT signalFlow: output @@ -233,16 +249,24 @@ io: connection: 1/4-inch maxConnections: 1 position: Right - - key: HpSuu3eo - name: Control Terminal 1 + - key: 7T8cI8mQ + name: Separate Loop Input + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: KiKnqnIW + name: Separate Loop Output signalFlow: output category: audio - type: expression + type: line connection: 1/4-inch maxConnections: 1 position: Right - - key: WazwJbFq - name: Control Terminal 2 + - key: HpSuu3eo + name: Control Terminal C1/C2 signalFlow: output category: audio type: expression @@ -250,7 +274,7 @@ io: maxConnections: 1 position: Right - key: 0ZICoNb3 - name: Control Terminal 3 + name: Control Terminal C3 signalFlow: output category: audio type: expression @@ -258,13 +282,21 @@ io: maxConnections: 1 position: Right - key: eDiS6n4K - name: Control Terminal 4 + name: Control Terminal C4 signalFlow: output category: audio type: expression connection: 1/4-inch maxConnections: 1 position: Right + - key: HGr6x2pd + name: Expression Input (E4) + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right - key: 7wZfhNDe name: MIDI IN signalFlow: input From df7b660d709d20295b3ca2cb0522dae7bd9ce250 Mon Sep 17 00:00:00 2001 From: Claude Date: Tue, 10 Nov 2026 12:56:39 +0000 Subject: [PATCH 3/4] fix(data): add ARC-4 insert jacks, year-only flag, changeset Co-Authored-By: Claude --- .changeset/import-free-the-tone.md | 2 +- data/accessories/free-the-tone-detail51.yaml | 1 + data/hardware/free-the-tone-detail53.yaml | 16 ++++++++++++++++ 3 files changed, 18 insertions(+), 1 deletion(-) diff --git a/.changeset/import-free-the-tone.md b/.changeset/import-free-the-tone.md index 0fab028a4..acdb941b9 100644 --- a/.changeset/import-free-the-tone.md +++ b/.changeset/import-free-the-tone.md @@ -2,4 +2,4 @@ "catalog": minor --- -Import Free The Tone (44 hardware/software entries). +Import Free The Tone (29 hardware and 15 accessory entries). diff --git a/data/accessories/free-the-tone-detail51.yaml b/data/accessories/free-the-tone-detail51.yaml index 58251151f..99ed7aab3 100644 --- a/data/accessories/free-the-tone-detail51.yaml +++ b/data/accessories/free-the-tone-detail51.yaml @@ -31,6 +31,7 @@ specs: |- - CU-416 capacitance (1kHz): approx. 160 (pF/m) - Design Patent Registration: DES. PAT. JP. 1645384 releaseDate: "2019" +releaseDateYearOnly: true videos: - provider: youtube videoId: xgacyIlLsh0 diff --git a/data/hardware/free-the-tone-detail53.yaml b/data/hardware/free-the-tone-detail53.yaml index 2f67cf82b..574da0ade 100644 --- a/data/hardware/free-the-tone-detail53.yaml +++ b/data/hardware/free-the-tone-detail53.yaml @@ -169,6 +169,22 @@ io: connection: 1/4-inch maxConnections: 1 position: Right + - key: z1hRFkJ0 + name: Insert Send (INS-S) + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: LybniSBg + name: Insert Return (INS-R) + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right - key: X7CIETWA name: Stereo Loop 1 Send L signalFlow: output From 4d5b993ba824e879f6edd1d25ae5eb49283578fb Mon Sep 17 00:00:00 2001 From: Jeffrey Louden Date: Wed, 11 Nov 2026 12:57:43 +0000 Subject: [PATCH 4/4] fix(data): add PA-1QA/PA-1QB, battery and adapter notes PA-1QA and PA-1QB from the maker's PA-1Q series page, ODL-1-CS battery option from its manual, CP-ML4 adapter connector gender from the product page. Claude-Session: https://claude.ai/code/session_01WDCgoSgcDYR467GeVnbXpd Co-Authored-By: Claude --- data/accessories/free-the-tone-detail40.yaml | 2 +- data/hardware/free-the-tone-detail73.yaml | 2 +- data/hardware/free-the-tone-pa-1qa.yaml | 97 ++++++++++++++++++++ data/hardware/free-the-tone-pa-1qb.yaml | 97 ++++++++++++++++++++ 4 files changed, 196 insertions(+), 2 deletions(-) create mode 100644 data/hardware/free-the-tone-pa-1qa.yaml create mode 100644 data/hardware/free-the-tone-pa-1qb.yaml diff --git a/data/accessories/free-the-tone-detail40.yaml b/data/accessories/free-the-tone-detail40.yaml index 6c194d960..08bf3e57a 100644 --- a/data/accessories/free-the-tone-detail40.yaml +++ b/data/accessories/free-the-tone-detail40.yaml @@ -11,7 +11,7 @@ details: |- The Free The Tone 4-way DC power splitter cables are split at a point close to the power source, so this common section is very short and the effects units are powered under ideal conditions. - The CP-ML4 takes its power at a single L-shape male 5.5 by 2.1 mm barrel connector and fans out to four L-shape male barrel connectors of the same size, two on 50 cm tails and two on 75 cm tails. A connection diagram is published as a PDF on the product page. + The CP-ML4 takes its power at a single L-shape male 5.5 by 2.1 mm barrel connector and fans out to four L-shape male barrel connectors of the same size, two on 50 cm tails and two on 75 cm tails. Because the input plug is male, it mates with an adapter or supply lead that ends in a female 5.5 by 2.1 mm socket; the companion CP-FS4 on the same page has a female input instead. A connection diagram is published as a PDF on the product page. specs: |- - Input end: 1 x barrel connector (5.5 by 2.1 mm, L-shape male) - Output end: 4 x barrel connector (5.5 by 2.1 mm, L-shape male) diff --git a/data/hardware/free-the-tone-detail73.yaml b/data/hardware/free-the-tone-detail73.yaml index 64eb56aed..75f2bf4e6 100644 --- a/data/hardware/free-the-tone-detail73.yaml +++ b/data/hardware/free-the-tone-detail73.yaml @@ -30,7 +30,7 @@ specs: |- - Output load impedance: 10 kOhm or higher - Controls: NOR LEVEL, DRV LEVEL, TONE, GAIN, PUSH, HI CUT, DRIVE, EQ ON/GLASS switch, ROCK/JAZZ switch, DC9V/VARIABLE switching switch, voltage adjustment trim - Connectors: 1/4-inch standard phone jacks (input, output), DC9V input jack (AC adapter jack) - - Power supply: AC adapter + - Power supply: 9V DC centre negative polarity, or a 006P (9V) 6F22 alkaline battery (about 3 hours of continuous use; a manganese battery is not recommended because of its short life) - Current consumption: DC9V 95 mA (use a power supply able to deliver 200 mA or more, because a significant inrush current flows at power-on) - Internal boost supply continuously adjustable from DC10V to DC19V on the VARI setting - Custom modules with different components from the standard version, for more sensitive response to input signals diff --git a/data/hardware/free-the-tone-pa-1qa.yaml b/data/hardware/free-the-tone-pa-1qa.yaml new file mode 100644 index 000000000..8180ad927 --- /dev/null +++ b/data/hardware/free-the-tone-pa-1qa.yaml @@ -0,0 +1,97 @@ +id: OQ0ZvGcmCVs5eIIN2fcwv +name: PA-1QA +manufacturer: free-the-tone +primaryCategory: equalizer +categories: + - pedal + - effect + - analog +capabilities: + - equalization + - boost +url: https://www.freethetone.com/en/products/detail18/ +prices: + - amount: 48000 + currency: JPY +description: Achieve rich analog sound with the ease and versatility of digital control +details: |- + The PA-1Q series came out of Free The Tone's work on integrating the digital and analog technologies developed for the AMBI SPACE and TRI AVATAR, after more than ten years of development from the original concept. + + At first glance the units look like digital equalizers, but they are analog equalizers. Every equalizer circuit through which the guitar or bass signal passes, including the input and output sections, is fully analog, which is the same signal processing method found in graphic equalizers with conventional slider controls. Only the parameter control section is digital, storing and processing parameter states in the digital domain so that presets and MIDI can drive the analog circuit in real time. + + The renewed HTS (Holistic Tonal Solution) circuit manages the signal from input to output so that the sound texture stays the same whether the effect is on or off. The ten equalizer bands and their curves are chosen per instrument, and the PA-1QA's frequencies are selected for acoustic guitar at 31 Hz, 62 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz, each with plus or minus 12 dB of range. + + Any of 99 presets can be recalled instantly over MIDI. Beyond equalization, the unit doubles as a preset volume controller that manages level per preset, which suits raising the volume for a solo or levelling out output differences when switching between several instruments. + + Controls are a pair of cursor keys, a PARAMETER encoder and an INST (-10 dB) / LINE (+4 dB) level selector switch, and the unit is housed in a compact pedal enclosure at 120 x 102.3 x 58.5 mm. +specs: |- + - Number of presets: 99 + - Input impedance: INST min. 1 MOhm, LINE min. 300 kOhm + - Output load impedance: min. 10 kOhm + - Max. input level: INST +4 dBu, LINE +14 dBu with EQ flat + - Frequency response: 10 Hz to 40 kHz (+/- 0.5 dB) with EQ flat + - Controls: cursor keys, PARAMETER encoder, INST (-10 dB) / LINE (+4 dB) level selector switch + - PA-1QA bands: 31 Hz, 62 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz (+/- 12 dB) + - Terminals: 1/4 inch standard phone jack x 2 (input and output), DC 9V input jack for AC adapter, DIN 5-pin connector x 2 (MIDI IN and OUT/THRU) + - Power supply: 9V DC centre negative polarity, no AC adapter included + - Current consumption: 200 mA + - Dimensions: 120 x 102.3 x 58.5 mm or 4.7 x 4.0 x 2.3 inches including protuberances such as the footswitch and jacks + - Weight: approx. 350 g or 0.77 lbs excluding accessories + - Fully analog signal path with digital parameter control + - Renewed HTS (Holistic Tonal Solution) circuit + - Doubles as a per-preset volume controller + - Accessories: warranty card, manual, rubber feet x 4 +io: + - key: 1724pFQV + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: kC5r5oVj + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: u5M5znzt + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: k8ZGSDDx + name: MIDI OUT/THRU + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: F4sIgWs4 + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_Manual_Rev_en.pdf + type: resource + title: PA-1Q Series Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_QuickStart_Rev_en.pdf + type: resource + title: PA-1Q Series Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_DataDump_en.pdf + type: resource + title: PA-1Q Series Preset Data Dump and Download + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_FirmwareUpdate_E.pdf + type: resource + title: PA-1Q Series Firmware Update Procedure Manual diff --git a/data/hardware/free-the-tone-pa-1qb.yaml b/data/hardware/free-the-tone-pa-1qb.yaml new file mode 100644 index 000000000..3bd1514af --- /dev/null +++ b/data/hardware/free-the-tone-pa-1qb.yaml @@ -0,0 +1,97 @@ +id: Brt2VzQgCCq2PCX6AqeTb +name: PA-1QB +manufacturer: free-the-tone +primaryCategory: equalizer +categories: + - pedal + - effect + - analog +capabilities: + - equalization + - boost +url: https://www.freethetone.com/en/products/detail18/ +prices: + - amount: 48000 + currency: JPY +description: Achieve rich analog sound with the ease and versatility of digital control +details: |- + The PA-1Q series came out of Free The Tone's work on integrating the digital and analog technologies developed for the AMBI SPACE and TRI AVATAR, after more than ten years of development from the original concept. + + At first glance the units look like digital equalizers, but they are analog equalizers. Every equalizer circuit through which the guitar or bass signal passes, including the input and output sections, is fully analog, which is the same signal processing method found in graphic equalizers with conventional slider controls. Only the parameter control section is digital, storing and processing parameter states in the digital domain so that presets and MIDI can drive the analog circuit in real time. + + The renewed HTS (Holistic Tonal Solution) circuit manages the signal from input to output so that the sound texture stays the same whether the effect is on or off. The ten equalizer bands and their curves are chosen per instrument, and the PA-1QB's frequencies are selected for bass at 40 Hz, 80 Hz, 125 Hz, 250 Hz, 500 Hz, 800 Hz, 1200 Hz, 2400 Hz, 4500 Hz and 8 kHz, each with plus or minus 12 dB of range. + + Any of 99 presets can be recalled instantly over MIDI. Beyond equalization, the unit doubles as a preset volume controller that manages level per preset, which suits raising the volume for a solo or levelling out output differences when switching between several instruments. + + Controls are a pair of cursor keys, a PARAMETER encoder and an INST (-10 dB) / LINE (+4 dB) level selector switch, and the unit is housed in a compact pedal enclosure at 120 x 102.3 x 58.5 mm. +specs: |- + - Number of presets: 99 + - Input impedance: INST min. 1 MOhm, LINE min. 300 kOhm + - Output load impedance: min. 10 kOhm + - Max. input level: INST +4 dBu, LINE +14 dBu with EQ flat + - Frequency response: 10 Hz to 40 kHz (+/- 0.5 dB) with EQ flat + - Controls: cursor keys, PARAMETER encoder, INST (-10 dB) / LINE (+4 dB) level selector switch + - PA-1QB bands: 40 Hz, 80 Hz, 125 Hz, 250 Hz, 500 Hz, 800 Hz, 1200 Hz, 2400 Hz, 4500 Hz, 8 kHz (+/- 12 dB) + - Terminals: 1/4 inch standard phone jack x 2 (input and output), DC 9V input jack for AC adapter, DIN 5-pin connector x 2 (MIDI IN and OUT/THRU) + - Power supply: 9V DC centre negative polarity, no AC adapter included + - Current consumption: 200 mA + - Dimensions: 120 x 102.3 x 58.5 mm or 4.7 x 4.0 x 2.3 inches including protuberances such as the footswitch and jacks + - Weight: approx. 350 g or 0.77 lbs excluding accessories + - Fully analog signal path with digital parameter control + - Renewed HTS (Holistic Tonal Solution) circuit + - Doubles as a per-preset volume controller + - Accessories: warranty card, manual, rubber feet x 4 +io: + - key: H1lFuVPF + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: YlE04bbS + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: cQO1cfMK + name: MIDI IN + signalFlow: input + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: ckg7FpN1 + name: MIDI OUT/THRU + signalFlow: output + category: midi + type: midi + connection: 5-pin din + maxConnections: 1 + position: Right + - key: aqKAAKIB + name: DC 9V Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right +links: + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_Manual_Rev_en.pdf + type: resource + title: PA-1Q Series Manual + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_QuickStart_Rev_en.pdf + type: resource + title: PA-1Q Series Quick Start Guide + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_DataDump_en.pdf + type: resource + title: PA-1Q Series Preset Data Dump and Download + - url: https://www.freethetone.com/upload/en/file/manual/effects/pa1q/PA-1Q_FirmwareUpdate_E.pdf + type: resource + title: PA-1Q Series Firmware Update Procedure Manual